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78 blues : folksongs and phonographs in the American South

Author: John Minton
Publisher: Jackson : University Press of Mississippi, ©2008.
Series: American made music series.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Minton, John, 1957-
78 blues.
Jackson : University Press of Mississippi, ©2008
(DLC) 2007033485
(OCoLC)166255088
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: John Minton
ISBN: 9781604733273 1604733276 1934110191 9781934110195 1282485776 9781282485778
OCLC Number: 317403241
Language Note: This edition in English.
Description: 1 online resource (x, 288 pages) : illustrations.
Contents: Prelude: supposing we have us a little tune here --
Learning to listen --
True relations --
Let's get this dance started --
Here's one you can all sing right with us --
A special prayer on the man that's a-catching the record --
I ought to be recording right now --
A corn licker still in Georgia --
Coda: well folks, here we are again.
Series Title: American made music series.
Other Titles: Seventy-eight blues
Responsibility: John Minton.

Abstract:

When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R & B, honk.

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