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Absent without leave : French literature under the threat of war

Author: Denis Hollier; Catherine Porter
Publisher: Cambridge, Mass. : Harvard University Press, 1997.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
They were not the "Banquet Years," those anxious wartime years when poets and novelists were made to feel embarrassed by their impulse to write literature. And yet it was the attitude of those writers and critics in the 1930s and 1940s that shaped French literature - the ideas of Derrida, Foucault, de Man, Deleuze, and Ricoeur - and has so profoundly influenced literary enterprise in the English-speaking world since
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Hollier, Denis.
Absent without leave.
Cambridge, Mass. : Harvard University Press, 1997
(OCoLC)605480801
Online version:
Hollier, Denis.
Absent without leave.
Cambridge, Mass. : Harvard University Press, 1997
(OCoLC)607732321
Document Type: Book
All Authors / Contributors: Denis Hollier; Catherine Porter
ISBN: 0674212703 9780674212701 0674212711 9780674212718
OCLC Number: 36783830
Description: 239 pages ; 24 cm
Other Titles: Dépossédés.
Responsibility: Denis Hollier ; translated by Catherine Porter.
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Abstract:

They were not the "Banquet Years," those anxious wartime years when poets and novelists were made to feel embarrassed by their impulse to write literature. And yet it was the attitude of those writers and critics in the 1930s and 1940s that shaped French literature - the ideas of Derrida, Foucault, de Man, Deleuze, and Ricoeur - and has so profoundly influenced literary enterprise in the English-speaking world since 1968. This literary history, the prehistory of postmodernism, is what Denis Hollier recovers in his interlocking studies of the main figures of French literary life before the age of anxiety gave way to the era of existentialist commitment.

George Bataille, Michel Leiris, Roger Caillois, Andre Malraux, the early Jean-Paul Sartre are the figures Hollier considers, writers torn between politics and the pleasures of the text. They appear here uneasily balancing the influences of the philosopher and the man of action. These studies convey the paradoxical heroism of writers fighting for a world that would extend no rights or privileges to writers, writing for a world in which literature would become a reprehensible frivolity.

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