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Act without words I

Autor: Samuel BeckettMichael ColganAlan MoloneyKarel ReiszBlue Angel Films (Dublin, Ireland)Todos autores
Editorial: [Ireland] : Blue Angel Films Ltd., New York : Ambrose Video, ©2001 ; 2002.
Serie: Beckett on film.
Edición/Formato:   Video DVD   Archivo de computadora : Inglés (eng)Ver todas las ediciones y todos los formatos
Publicación:Digital video collection
Base de datos:WorldCat
Resumen:
One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for  Leer más
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Detalles

Género/Forma: Film adaptations
Formato físico adicional: Beckett on film. Act without words I.
(OCoLC)53719506
Persona designada: Samuel Beckett; Samuel Beckett
Tipo de material: Recurso en Internet, Grabación de video
Tipo de documento: Recurso en Internet, Archivo de computadora, Material visual
Todos autores / colaboradores: Samuel Beckett; Michael Colgan; Alan Moloney; Karel Reisz; Blue Angel Films (Dublin, Ireland); Tyrone Productions.; Raidió Teilifís Éireann.; Channel Four (Great Britain); Bord Scannán na hÉireann.; Clarence Pictures.; Ambrose Video Publishing.
Número OCLC: 173261845
Notas: Originally produced in 2001.
Streaming video (16 min.).
Reparto: Sean Foley.
Descripción: 1 online resource.
Título de la serie: Beckett on film.
Otros títulos: Samuel Beckett's Act without words I
Responsabilidad: Blue Angel Films / Tyrone Productions for Radio Telefís Eireann & Channel 4 in association with Bord Scánnán Na Héireann ; produced by Michael Colgan & Alan Moloney ; director, Karel Reisz.

Resumen:

One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for Godot and Endgame. The man learns through frustrating repetitive experience that there is "nothing to be done." There is no escape from the playing area - he is "immediately flung back" when he attempts to enter the wings. Not even suicide or death, the final exit, are available. The things of the world tease him and ultimately abandon him to leave him lying, moving in the Desert.

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Datos enlazados


Primary Entity

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