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Act without words I

Auteur : Samuel BeckettMichael ColganAlan MoloneyKarel ReiszBlue Angel Films (Dublin, Ireland)Tous les auteurs
Éditeur: [Ireland] : Blue Angel Films Ltd., New York : Ambrose Video, ©2001 ; 2002.
Collection: Beckett on film.
Édition/format:   DVD vidéo   Fichier d'ordinateur : AnglaisVoir toutes les éditions et tous les formats
Source:Digital video collection
Base de données:WorldCat
Résumé:
One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for  Lire la suite...
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Détails

Genre/forme: Film adaptations
Format – détails additionnels: Beckett on film. Act without words I.
(OCoLC)53719506
Personne nommée: Samuel Beckett; Samuel Beckett
Type d’ouvrage: Ressource Internet, Enregistrement vidéo
Type de document: Ressource Internet, Fichier d'ordinateur, Matériel visuel
Tous les auteurs / collaborateurs: Samuel Beckett; Michael Colgan; Alan Moloney; Karel Reisz; Blue Angel Films (Dublin, Ireland); Tyrone Productions.; Raidió Teilifís Éireann.; Channel Four (Great Britain); Bord Scannán na hÉireann.; Clarence Pictures.; Ambrose Video Publishing.
Numéro OCLC: 173261845
Notes: Originally produced in 2001.
Streaming video (16 min.).
Distribution: Sean Foley.
Description: 1 online resource.
Titre de collection: Beckett on film.
Autres titres: Samuel Beckett's Act without words I
Responsabilité: Blue Angel Films / Tyrone Productions for Radio Telefís Eireann & Channel 4 in association with Bord Scánnán Na Héireann ; produced by Michael Colgan & Alan Moloney ; director, Karel Reisz.

Résumé:

One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for Godot and Endgame. The man learns through frustrating repetitive experience that there is "nothing to be done." There is no escape from the playing area - he is "immediately flung back" when he attempts to enter the wings. Not even suicide or death, the final exit, are available. The things of the world tease him and ultimately abandon him to leave him lying, moving in the Desert.

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Données liées


Primary Entity

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    schema:about <http://id.worldcat.org/fast/922105> ; # Feature films
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    schema:contributor <http://viaf.org/viaf/142359386> ; # Blue Angel Films (Dublin, Ireland)
    schema:contributor <http://viaf.org/viaf/7386737> ; # Samuel Beckett
    schema:contributor <http://viaf.org/viaf/307490929> ; # Bord Scannán na hÉireann.
    schema:contributor <http://viaf.org/viaf/270500062> ; # Michael Colgan
    schema:contributor <http://experiment.worldcat.org/entity/work/data/2863833341#Person/reisz_karel> ; # Karel Reisz
    schema:contributor <http://viaf.org/viaf/145734228> ; # Tyrone Productions.
    schema:contributor <http://experiment.worldcat.org/entity/work/data/2863833341#Person/moloney_alan> ; # Alan Moloney
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<http://viaf.org/viaf/126787328> # Ambrose Video Publishing.
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