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Act without words I

Autore: Samuel BeckettMichael ColganAlan MoloneyKarel ReiszBlue Angel Films (Dublin, Ireland)Tutti gli autori
Editore: [Ireland] : Blue Angel Films Ltd., New York : Ambrose Video, ©2001 ; 2002.
Serie: Beckett on film.
Edizione/Formato:   Video DVD   Computer File : EnglishVedi tutte le edizioni e i formati
Pubblicazione:Digital video collection
Banca dati:WorldCat
Sommario:
One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for  Per saperne di più…
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Dettagli

Genere/forma: Film adaptations
Informazioni aggiuntive sul formato: Beckett on film. Act without words I.
(OCoLC)53719506
Persona incaricata: Samuel Beckett; Samuel Beckett
Tipo materiale: Risorsa internet, Videorecording
Tipo documento: Internet Resource, Computer File, Materiale visivo
Tutti gli autori / Collaboratori: Samuel Beckett; Michael Colgan; Alan Moloney; Karel Reisz; Blue Angel Films (Dublin, Ireland); Tyrone Productions.; Raidió Teilifís Éireann.; Channel Four (Great Britain); Bord Scannán na hÉireann.; Clarence Pictures.; Ambrose Video Publishing.
Numero OCLC: 173261845
Note: Originally produced in 2001.
Streaming video (16 min.).
Distribuzione: Sean Foley.
Descrizione: 1 online resource.
Titolo della serie: Beckett on film.
Altri titoli: Samuel Beckett's Act without words I
Responsabilità: Blue Angel Films / Tyrone Productions for Radio Telefís Eireann & Channel 4 in association with Bord Scánnán Na Héireann ; produced by Michael Colgan & Alan Moloney ; director, Karel Reisz.

Abstract:

One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for Godot and Endgame. The man learns through frustrating repetitive experience that there is "nothing to be done." There is no escape from the playing area - he is "immediately flung back" when he attempts to enter the wings. Not even suicide or death, the final exit, are available. The things of the world tease him and ultimately abandon him to leave him lying, moving in the Desert.

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