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Act without words I

Autor: Samuel BeckettMichael ColganAlan MoloneyKarel ReiszBlue Angel Films (Dublin, Ireland)Todos os autores
Editora: [Ireland] : Blue Angel Films Ltd., New York : Ambrose Video, ©2001 ; 2002.
Séries: Beckett on film.
Edição/Formato   Vídeo em DVD   Arquivo de Computador : InglêsVer todas as edições e formatos
Publicação:Digital video collection
Base de Dados:WorldCat
Resumo:
One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for  Ler mais...
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Detalhes

Gênero/Forma: Film adaptations
Formato Físico Adicional: Beckett on film. Act without words I.
(OCoLC)53719506
Pessoa Denominada: Samuel Beckett; Samuel Beckett
Tipo de Material: Recurso Internet, Gravação de vídeo
Tipo de Documento: Recurso Internet, Arquivo de Computador, Material visual
Todos os Autores / Contribuintes: Samuel Beckett; Michael Colgan; Alan Moloney; Karel Reisz; Blue Angel Films (Dublin, Ireland); Tyrone Productions.; Raidió Teilifís Éireann.; Channel Four (Great Britain); Bord Scannán na hÉireann.; Clarence Pictures.; Ambrose Video Publishing.
Número OCLC: 173261845
Notas: Originally produced in 2001.
Streaming video (16 min.).
Elenco: Sean Foley.
Descrição: 1 online resource.
Título da Série: Beckett on film.
Outros Títulos: Samuel Beckett's Act without words I
Responsabilidade: Blue Angel Films / Tyrone Productions for Radio Telefís Eireann & Channel 4 in association with Bord Scánnán Na Héireann ; produced by Michael Colgan & Alan Moloney ; director, Karel Reisz.

Resumo:

One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for Godot and Endgame. The man learns through frustrating repetitive experience that there is "nothing to be done." There is no escape from the playing area - he is "immediately flung back" when he attempts to enter the wings. Not even suicide or death, the final exit, are available. The things of the world tease him and ultimately abandon him to leave him lying, moving in the Desert.

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