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Act without words I

ผู้แต่ง: Samuel BeckettMichael ColganAlan MoloneyKarel ReiszBlue Angel Films (Dublin, Ireland)ผู้แต่งทั้งหมด
สำนักพิมพ์: [Ireland] : Blue Angel Films Ltd., New York : Ambrose Video, ©2001 ; 2002.
ชุด: Beckett on film.
ครั้งที่พิมพ์/รูปแบบ:   วีดีโอ ดีวีดี   ไฟล์คอมพิวเตอร์ : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
สื่อสิ่งพิมพ์:Digital video collection
ฐานข้อมูล:WorldCat
สรุป:
One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Film adaptations
รูปแบบทางกายภาพเพิ่มเติม Beckett on film. Act without words I.
(OCoLC)53719506
ชื่อบุคคล: Samuel Beckett; Samuel Beckett
ขนิดวัสดุ: ทรัพยากรอินแทอร์เน็ต, การบันทึกวิดีโอ
ประเภทของเอกสาร: แหล่งข้อมูลอินเทอร์เน็ต, ไฟล์คอมพิวเตอร์, วัสดุที่มองเห็นได้
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Samuel Beckett; Michael Colgan; Alan Moloney; Karel Reisz; Blue Angel Films (Dublin, Ireland); Tyrone Productions.; Raidió Teilifís Éireann.; Channel Four (Great Britain); Bord Scannán na hÉireann.; Clarence Pictures.; Ambrose Video Publishing.
OCLC Number: 173261845
หมายเหตุ: Originally produced in 2001.
Streaming video (16 min.).
คำนวณ: Sean Foley.
คำอธิบาย: 1 online resource.
ชื่อชุด: Beckett on film.
ชื่อเรื่องอื่น: Samuel Beckett's Act without words I
ความรับผิดชอบ: Blue Angel Films / Tyrone Productions for Radio Telefís Eireann & Channel 4 in association with Bord Scánnán Na Héireann ; produced by Michael Colgan & Alan Moloney ; director, Karel Reisz.

บทคัดย่อ:

One of Beckett's most powerful plays is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolizing relief or escape, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. What is significant about this play is that Beckett has captured, wordlessly and with great precision, the major concerns and motifs of Waiting for Godot and Endgame. The man learns through frustrating repetitive experience that there is "nothing to be done." There is no escape from the playing area - he is "immediately flung back" when he attempts to enter the wings. Not even suicide or death, the final exit, are available. The things of the world tease him and ultimately abandon him to leave him lying, moving in the Desert.

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