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Actors dancing & dancers acting [videorecording]

Author: Garth FaganCarl LumblyRoger BabbRob BessererJeannie HutchinsAll authors
Publisher: New York City, NY : ARC Videodance, [2008?]
Series: Eye on dance.
Edition/Format:   DVD video : English
Summary:
Garth Fagan and Carl Lumbly talk about the different demands of acting and dancing, and the benefits that actors and dancers may gain by studying each other's art.
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Details

Named Person: Garth Fagan; Carl Lumbly; Roger Babb; Rob Besserer; Jeannie Hutchins; Roger Babb; Rob Besserer; Garth Fagan; Jeannie Hutchins; Carl Lumbly
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Garth Fagan; Carl Lumbly; Roger Babb; Rob Besserer; Jeannie Hutchins; Jeffrey C Bush; Celia Ipiotis; ARC Videodance (Firm)
OCLC Number: 428088970
Notes: Statement of responsibility from Eye on the dance website title list.
This recorded DVD-R may not be compatible with all DVD players or drives.
Originally broadcast as program #247 and #248 of the television series Eye on dance in 1988.
Volume numbers created by cataloger from numerical order of programs.
Credits: Produced by Celia Ipiotis and Jeff Bush.
Performer(s): Host: Celia Ipiotis, program #247 ; host: Celia Ipiotis, program #248.
Description: 2 videodiscs (approximately 29 min. each) : sound, color ; 4 3/4 in.
Details: DVD format.
Contents: [v. 1.] Getting the most out of actors suddenly required to dance --
[v. 2.] Fine tuning dancers acting and actors dancing.
Series Title: Eye on dance.
Other Titles: Actors dancing and dancers acting
Garth Fagan, Carl Lumbly
Roger Babb, Robert Besserer, Jeannie Hutchins
Responsibility: [presented by] ARC Videodance.

Abstract:

Garth Fagan and Carl Lumbly talk about the different demands of acting and dancing, and the benefits that actors and dancers may gain by studying each other's art.

Roger Babb, Rob Besserer and Jeannie Hutchins discuss various types of interchange between dancing and acting, including the dancer's use of his/her voice on stage, the contribution a theater director can make to a dance performance, working on roles, and the benefits dancers can gain from studying acting.

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Primary Entity

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