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Acts of desire : women and sex on stage, 1800-1930

著者: Sos Eltis
出版商: Oxford : Oxford University Press, 2013.
版本/格式:   Print book : 英语 : 1st ed查看所有的版本和格式
数据库:WorldCat
提要:
From seduced maidens to adulterous wives, bigamists, courtesans, kept women and streetwalkers, the so-called 'fallen woman' was a ubiquitous and enduring figure on the Victorian and Edwardian stage. Acts of Desire traces the theatrical representation of illicit female sexuality from early nineteenth-century melodramas, through sensation dramas, Ibsenite sex-problem plays and suffrage dramas, to early social realism
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类型/形式: Criticism, interpretation, etc
文件类型:
所有的著者/提供者: Sos Eltis
ISBN: 9780199691357 0199691355
OCLC号码: 820779268
描述: viii, 268 pages : illustrations ; 24 cm
内容: Seduced maidens and resourceful maids --
Bigamy and sensation --
English decency and French immorality --
Sex problems and nature's law --
Workers and wages --
Rewriting the past.
责任: Sos Eltis.
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Acts of Desire is a study of theatrical depictions of illicit female sexuality, from seduction and prostitution to bigamy and adultery, from the beginning of the nineteenth century through to the  再读一些...

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Acts of Desire looks beyond the depiction of women on stage to address the surrounding social, political and economic issues which affected the theatre. Anna-Maria Ssemuyaba, The Times Literary 再读一些...

 
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    schema:description "Encompasses over 130 years of theatre history ; Draws on a wealth of archival material, including unpublished plays, contemporary reviews, and censorship records, presenting some material for the first time ; Sheds light on the often overlooked role of the theatre in the history of nineteenth-century sexuality and literature ; Challenges the currency and validity of the long-established critical term 'the fallen woman' ; Reveals the connections and cross-influences between nineteenth-century theatre, visual arts and the novel."@en ;
    schema:description "From seduced maidens to adulterous wives, bigamists, courtesans, kept women and streetwalkers, the so-called 'fallen woman' was a ubiquitous and enduring figure on the Victorian and Edwardian stage. Acts of Desire traces the theatrical representation of illicit female sexuality from early nineteenth-century melodramas, through sensation dramas, Ibsenite sex-problem plays and suffrage dramas, to early social realism and the well-made plays of Pinero, Jones, Maugham, and Coward. This study reveals and analyses enduring plot lines and tropes that continue to influence contemporary theatre and film. Women's illicit desires became a theatrical focus for anxieties and debates surrounding gender roles, women's rights, sexual morality, class conflict, economics, eugenics, and female employment. The theatre played a central role in both establishing and challenging sexual norms, and many playwrights exploited the ambiguities and implications of performance to stage disruptive spectacles of female desire, agency, energy, and resourcefulness, using ingenuity and skill to evade the control of that ever watchful state censor, the Lord Chamberlain. Covering an astonishing range of theatrical, social, literary, and political texts, this study challenges the currency and validity of the long-established critical term 'the fallen woman', and establishes the centrality of the theatre to cultural and sexual debates throughout the period. Acts of Desire encompasses published and unpublished plays, archival material, censorship records, and contemporary reviews to reveal the surprising continuities, complex debates, covert meanings, and exuberant spectacles which marked the history of theatrical representations of female sexuality. Engaging with popular and 'high art' performances, this study also reveals the vital connections between theatre and its sister arts, tracing the exchange of influences between Victorian drama, narrative painting and the novel, and showing theatre to be a crucial but neglected element in the cultural history of women's sexuality. -- Book jacket."@en ;
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