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| Material Type: | Government publication, State or province government publication |
|---|---|
| Document Type: | Book |
| All Authors / Contributors: |
David Carrier |
| ISBN: | 0271009438 9780271009438 |
| OCLC Number: | 28339304 |
| Description: | xiii, 283 p. : ill. ; 24 cm. |
| Contents: | Pt. I. Aesthetics, Art Criticism, Art History -- 1. Artwriting Revisited -- 2. Abstract Painting and Its Discontents -- 3. Erwin Panofsky, Leo Steinberg, David Carrier: The Problem of Objectivity in Art-Historical Interpretation -- 4. The Aesthete in the City -- Pt. II. The Theory of Art Criticism in the 1980s -- 5. [Jean] Baudrillard as Philosopher; or, The End of Abstract Painting? -- 6. The Fake Artwork in the Age of Mechanical Reproduction -- 7. Art History in the Mirror Stage: Interpreting Un Bar aux Folies-Bergere -- 8. [Jacques] Derrida as Philosopher -- 9. Postmodernism Is Dead! (Long Live Leo Steinberg) -- Pt. III. The Practice of Art Criticism in the 1980s -- 10. Painting into Depth: Jonathan Lasker's Recent Art [Lasker] -- 11. Descriptive Abstraction: Ron Janowich's Recent Paintings [Janowich] 12. Signification and Subjectification: The Recent Paintings of Tom Nozkowski and Gary Stephan -- 13. Artifice and Artificiality: David Reed's Recent Painting -- 14. David Reed: An Abstract Painter in the Age of Postmodernism -- 15. Color in the Recent Work of Sean Scully -- 16. Piet Mondrian and Sean Scully: Two Political Artists -- 17. Frances Lansing -- 18. Michael Venezia -- 19. David Sawin. |
| Responsibility: | David Carrier. |
Abstract:
In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of the 1980's. He begins with a theoretical perspective on the relationship beween two very different forms of artwriting: art criticism and art history writing. Carrier surveys the developments within theory during the 1980s, focusing on constructive critical analysis of the work of Jean Baudrillard, Walter Benjamin, T. J. Clark, and Jacques Derrida.
He provides detailed accounts of a number of painters, among them Thomas Nozkowski, David Reed, and Sean Scully, whose development he followed closely. Carrier argues that Abstract Expressionism, provides the basis for an ongoing tradition of abstract painting, a rich system whose potential has not yet been exhausted. This book turns to the theory and practice of art criticism, concentrating on a concrete discussion of individual theorists and artists.
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