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Aesthetic modernism and masculinity in fascist Italy

作者: John Champagne
出版商: London ; New York : Routledge, 2013. ©2013
叢書: Popular culture and world politics.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was  再讀一些...
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詳細書目

類型/形式: History
文件類型: 圖書
所有的作者/貢獻者: John Champagne
ISBN: 9780415528627 0415528623 9780203101964 0203101960
OCLC系統控制編碼: 764304959
描述: viii, 221 pages ; 25 cm.
内容: Introduction: Beyond Virility, Chapter 1. Fascism, Modernism, and the Contradictions of Capitalism, Chapter 2. Pirandello Fascista? Modernism and The Theater of Masculinity Chapter 3. The Dandy, the Mystic, and the Tonalists: Italian Modernist Painting and the Male Body Chapter 4. "A Glimpse Through an Interstice Caught: Fascism and Mario Castelnuovo-Tedescos Calamus Songs" Chapter 5. Giorgio Bassani and Italian "Queers" of the 1930s" Conclusion: "Beyond" Fascism?
叢書名: Popular culture and world politics.
責任: John Champagne.
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摘要:

"Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like 'masculinity' is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations. Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history."--

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