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The aesthetic unconscious
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The aesthetic unconscious

Autor: Jacques Rancière; Debra Keates; James Swenson
Editorial: Cambridge ; Malden, MA : Polity, ©2009.
Edición/Formato:   Libro : Inglés (eng) : English edVer todas las ediciones y todos los formatos
Resumen:
This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of  Leer más
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Detalles

Persona designada: Sigmund Freud
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Jacques Rancière; Debra Keates; James Swenson
ISBN: 9780745646435 0745646433 9780745646442 0745646441
Número OCLC: 320316096
Descripción: v, 95 p. ; 19 cm.
Contenido: What Freud has to do with aesthetics --
A defective subject --
The aesthetic revolution --
The two forms of mute speech --
From one unconscious to another --
Freud's corrections --
On various uses of detail --
A conflict between two kinds of medicine.
Otros títulos: Inconscient esthétique.
Responsabilidad: Jacques Rancière ; translated by Debra Keates and James Swenson.

Resumen:

A work that is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role  Leer más

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'One of today's foremost French philosophers offers here a fascinating and illuminating take on the relevance of Freudian concepts and psychoanalytic interpretations, as emerging from the yet to be Leer más

 
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Datos enlazados


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schema:name"Freud, Sigmund, 1856-1939"
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schema:description"What Freud has to do with aesthetics -- A defective subject -- The aesthetic revolution -- The two forms of mute speech -- From one unconscious to another -- Freud's corrections -- On various uses of detail -- A conflict between two kinds of medicine."
schema:description"This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of the thought that does not think, and the power of the speech that remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's "aesthetic" analyses reveal instead a tension between the two forms of unconscious. --From publisher's description."
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