コンテンツへ移動
The aesthetics of anarchy : art and ideology in the early Russian avant-garde 資料のプレビュー
閉じる資料のプレビュー
確認中…

The aesthetics of anarchy : art and ideology in the early Russian avant-garde

著者: Гурьянова, Н. А. ; N A Gurʹi︠a︡nova
出版: Berkeley : University of California Press, ©2012.
エディション/フォーマット:   書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an 'aesthetics of anarchy'--art-making without rules--that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context,  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - まずはあなたから!

件名
関連情報

 

オンラインで入手

この資料へのリンク

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: History
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Гурьянова, Н. А. ; N A Gurʹi︠a︡nova
ISBN: 9780520268760 0520268768
OCLC No.: 748941743
注記: "Ahmanson Murphy fine arts imprint"
形態 x, 345 p. : ill. ; 24 cm.
コンテンツ: Introduction. The Russian avant-garde and the aesthetics of anarchy : ideology, poetics, or politics? --
Movements and ideas. The aesthetics of anarchy : definitions --
Ideas : Bakunin, Tolstoy, and the Russian anarchists --
Movements : Futurisms and the principle of freedom --
Poetics. A game in hell : the poetics of chance and play --
Victory over the sun and the theater of alogism --
Deconstructing the canon : Russian Futurist books --
Locating the avant-garde's social stance. The "social test" : the avant-garde and the Great War --
The Suprematist party --
Politics. Art, creativity, and Anarkhiia --
The last revolt : politics of the Left Federation --
The avant-garde and ideology --
Conclusion. The historical paradigm : the avant-gardes and revolution.
他のタイトル: Art and ideology in the early Russian avant-garde
責任者: Nina Gurianova.

概要:

Identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. This title also identifies aesthetics  続きを読む

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/748941743>
library:oclcnum"748941743"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/748941743>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
rdf:typeschema:Event
schema:name"Geschichte 1910-1918."
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:copyrightYear"2012"
schema:datePublished"2012"
schema:description""Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an 'aesthetics of anarchy'--art-making without rules--that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day." --"
schema:description"Introduction. The Russian avant-garde and the aesthetics of anarchy : ideology, poetics, or politics? -- Movements and ideas. The aesthetics of anarchy : definitions -- Ideas : Bakunin, Tolstoy, and the Russian anarchists -- Movements : Futurisms and the principle of freedom -- Poetics. A game in hell : the poetics of chance and play -- Victory over the sun and the theater of alogism -- Deconstructing the canon : Russian Futurist books -- Locating the avant-garde's social stance. The "social test" : the avant-garde and the Great War -- The Suprematist party -- Politics. Art, creativity, and Anarkhiia -- The last revolt : politics of the Left Federation -- The avant-garde and ideology -- Conclusion. The historical paradigm : the avant-gardes and revolution."
schema:exampleOfWork<http://worldcat.org/entity/work/id/1006845137>
schema:genre"History"
schema:genre"History."
schema:inLanguage"en"
schema:name"The aesthetics of anarchy : art and ideology in the early Russian avant-garde"
schema:numberOfPages"345"
schema:publisher
rdf:typeschema:Organization
schema:name"University of California Press"
schema:workExample
schema:workExample

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.