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The aesthetics of Antichrist : from Christian drama to Christopher Marlowe

Author: John Parker
Publisher: Ithaca : Cornell University Press, ©2007.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Parker, John, 1972-
Aesthetics of Antichrist.
Ithaca : Cornell University Press, ©2007
(DLC) 2007018959
Named Person: Christopher Marlowe; Christopher Marlowe
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: John Parker
ISBN: 9780801463549 0801463548
OCLC Number: 732957119
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (xviii, 252 pages)
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Introduction: After Strange Gods: the Making of Christ and his Doubles --
The Orthodoxy of Heresy --
From Script to Scripture--
The Gospel Truth --
Christ as Antichrist --
The Sign of Jonah --
Salvation through Antichrist --
Lying Likenesses: Typology and the Medieval Miracula --
Imago in Evangelio --The Typological Image --
Ad Imaginem in the York Cycle --
Miracula --
Salvaging the Audience, or Christ as Antichrist Redux --
Antichrist and Antitheatricalism --
The Chester Antichrist --
The Anagogical Promise of Art --
Blood Money: Antichristian Economics and the Drama of the Sacraments --
The Root of All Evil --
Blinde Reckeninge (Everyman) --
Judas Superstar --
The Offertory as Price of Admission --
The Miracle at Croxton --
Coda: the Blood Money of Mankind --
Vicarious Criminal: Christ as Representative --
Antigraphy (the Making of the Septuagint --
Christ and Vicarious Substitution --
Christian Appropriation --
The Deceiver Deceived and the Cycles' Descent --
Virgin Birth, or the Septuagint Redux --
The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits --
Marlowe the Antichrist --
Jesus Barabbas, Son of God --
Apostolic Conquest (Tamburlaine and Paul) --
Faustus Magus.
Responsibility: John Parker.

Abstract:

Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.

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