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The aesthetics of self-invention : Oscar Wilde to David Bowie

著者: Shelton Waldrep
出版: Minneapolis : University of Minnesota Press, ©2004.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
By printing the title "Professor of Aesthetics" on his visiting cards, Oscar Wilde announced yet another transformation and perhaps the most significant of his career, proclaiming his belief that he could redesign not just his image but his very self. Shelton Waldrep explores the cultural influences at play in Wilde's life and work and his influence on the writing and performance of the twentieth century,  続きを読む
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関連の人物: Oscar Wilde; Oscar Wilde; David Bowie; Oscar Wilde; Oscar Wilde; David Bowie; David Bowie; Oscar Wilde; Oscar Wilde; David Bowie
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Shelton Waldrep
ISBN: 0816634173 9780816634170 0816634181 9780816634187
OCLC No.: 54825905
物理形態: xxi, 203 pages : illustrations ; 24 cm
コンテンツ: Wilde's romantic irony --
Attributing Wilde --
Performing Wilde --
Talking as performance --
Phenomenology of performance: David Bowie.
責任者: Shelton Waldrep.
その他の情報:

概要:

By printing the title "Professor of Aesthetics" on his visiting cards, Oscar Wilde announced yet another transformation and perhaps the most significant of his career, proclaiming his belief that he could redesign not just his image but his very self. Shelton Waldrep explores the cultural influences at play in Wilde's life and work and his influence on the writing and performance of the twentieth century, particularly on the lives and careers of some of its most aestheticized performers: Truman Capote, Andy Warhol, David Hockney, and David Bowie. As Waldrep reveals, Wilde's fusing of art with commerce foresaw the coming century's cultural producers who would blend works of both "high art" and mass-market appeal. Whether as a gay man or as a postmodern performance artist ahead of his time, Wilde ultimately emerges here as the embodiment of the twentieth-century media-savvy artist who is both subject and object of the aesthetic and economic systems in which he is enmeshed.

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