ข้ามไปที่เนือ้หา
Africa, the art of a continent : 100 works of power and beauty แสดงตัวอย่างรายการนี้
ปิดแสดงตัวอย่างรายการนี้
ตรวจสอบ...

Africa, the art of a continent : 100 works of power and beauty

ผู้แต่ง: Tom Phillips; Solomon R. Guggenheim Museum.; Royal Academy of Arts (Great Britain); Martin-Gropius-Bau (Berlin, Germany)
สำนักพิมพ์: New York : Guggenheim Museum Publications, ©1996.
ครั้งที่พิมพ์/รูปแบบ:   Print book : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
Inspired by a landmark exhibition of art on view at the Guggenheim Museum, this book provides an accessible overview to one of the world's great art traditions. Africa is the birthplace of human civilization, and produced some of humankind's earliest art objects. This book presents masterworks organized into seven geographical areas - Ancient Egypt and Nubia, eastern Africa, southern Africa, central Africa, western  อ่านมากขึ้น…
คะแนน:

(ยังไม่ให้คะแนน) 0 กับความคิดเห็น - เป็นคนแรก

หัวเรื่อง
เพิ่มเติมเช่นนี้

 

ค้นหาสำเนาในห้องสมุด

&AllPage.SpinnerRetrieving; ค้นหาห้องสมุดที่มีรายการนี้

รายละเอียด

ประเภท/แบบฟอร์ม Exhibition catalogs
Exhibitions
รูปแบบทางกายภาพเพิ่มเติม Online version:
Africa, the art of a continent.
New York : Guggenheim Museum Publications, ©1996
(OCoLC)605082648
ประเภทของเอกสาร: หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Tom Phillips; Solomon R. Guggenheim Museum.; Royal Academy of Arts (Great Britain); Martin-Gropius-Bau (Berlin, Germany)
ISBN: 0892071710 9780892071715 0810968940 9780810968943
OCLC Number: 39830705
หมายเหตุ: Catalog of an exhibition held at the Royal Academy of Arts, London, Oct. 4, 1995-Jan. 21, 1996; the Martin-Gropius-Bau, Berlin, Mar. 1-May 1, 1996 and the Solomon R. Guggenheim Museum, New York, June 7-Sept. 29, 1996.
คำอธิบาย: 191 pages : color illustrations, map ; 31 cm
สารบัญ: Introduction / Cornel West --
Why Africa? Why art? / Kwane Anthony Appiah --
Putting northern Africa back into Africa / Ekpo Eyo --
Historical contacts and cultural interaction : sub-Saharan Africa, northern Africa, the Muslim world, and southern Europe, tenth-nineteenth century A.D. / Peter Mark --
Europe, African art, and the uncanny / Henry Louis Gates, jr. --
Enduring myths of Africa art / Suzanne Preston Blier --
Ancient Egypt and Nubia --
Eastern Africa --
Southern Africa --
Central Africa --
Western Africa and the Guinea coast --
Sahel and savanna --
Northern Africa.
ความรับผิดชอบ: [curated by Tom Phillips].

บทคัดย่อ:

Inspired by a landmark exhibition of art on view at the Guggenheim Museum, this book provides an accessible overview to one of the world's great art traditions. Africa is the birthplace of human civilization, and produced some of humankind's earliest art objects. This book presents masterworks organized into seven geographical areas - Ancient Egypt and Nubia, eastern Africa, southern Africa, central Africa, western Africa and the Guinea Coast, Sahel and Savanna, and Northern Africa. Spectacular sculptures in wood, bronze, and stone provide stunning proof of the aesthetic strength of African traditions, even in the case of utilitarian works that were not made to be "art". In some cases, the very concept of art was foreign to their makers, as Kwame Anthony Appiah explains in his essay. In an epic overview of Africa's earliest history, Ekpo Eyo makes a strong case for dispensing with the popular misconception that northern Africa, Northwestern Africa and Egypt - is somehow not an integral part of the African continent. Peter Mark addresses the religious and cultural interaction between northern and sub-Saharan Africa during the spread of Islam and Christianity. Henry Louis Gates, Jr. explores the reception of African art in the West in the early part of this century, outlining how these works - like most everything from Africa - provoked "a certain anxiety" in the Western imagination. Suzanne Preston Blier elucidates the myths surrounding the art of Africa. And an international team of scholars explores the significance of each of the objects reproduced. The volume is rounded off with a selected bibliography.

รีวิว

ความคิดเห็นผู้ที่ใช้งาน
กำลังค้นคืน รีวิว GoodReads…
ค้นคืน DOGObooks บทวิจารณ์

แท็ก

เป็นคนแรก.

รายการคล้ายกัน

ยืนยันคำขอนี้

คุณอาจะร้องขอรายการนี้แล้. โปรดเลือก ตกลง ถ้าคุณต้องการดำเนินการคำขอนี้ต่อไป.

เชิ่อมโยงข้อมูล


<http://www.worldcat.org/oclc/39830705>
library:oclcnum"39830705"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:contributor
schema:contributor
schema:contributor
schema:copyrightYear"1996"
schema:datePublished"1996"
schema:description"Introduction / Cornel West -- Why Africa? Why art? / Kwane Anthony Appiah -- Putting northern Africa back into Africa / Ekpo Eyo -- Historical contacts and cultural interaction : sub-Saharan Africa, northern Africa, the Muslim world, and southern Europe, tenth-nineteenth century A.D. / Peter Mark -- Europe, African art, and the uncanny / Henry Louis Gates, jr. -- Enduring myths of Africa art / Suzanne Preston Blier -- Ancient Egypt and Nubia -- Eastern Africa -- Southern Africa -- Central Africa -- Western Africa and the Guinea coast -- Sahel and savanna -- Northern Africa."@en
schema:description"Inspired by a landmark exhibition of art on view at the Guggenheim Museum, this book provides an accessible overview to one of the world's great art traditions. Africa is the birthplace of human civilization, and produced some of humankind's earliest art objects. This book presents masterworks organized into seven geographical areas - Ancient Egypt and Nubia, eastern Africa, southern Africa, central Africa, western Africa and the Guinea Coast, Sahel and Savanna, and Northern Africa. Spectacular sculptures in wood, bronze, and stone provide stunning proof of the aesthetic strength of African traditions, even in the case of utilitarian works that were not made to be "art". In some cases, the very concept of art was foreign to their makers, as Kwame Anthony Appiah explains in his essay. In an epic overview of Africa's earliest history, Ekpo Eyo makes a strong case for dispensing with the popular misconception that northern Africa, Northwestern Africa and Egypt - is somehow not an integral part of the African continent. Peter Mark addresses the religious and cultural interaction between northern and sub-Saharan Africa during the spread of Islam and Christianity. Henry Louis Gates, Jr. explores the reception of African art in the West in the early part of this century, outlining how these works - like most everything from Africa - provoked "a certain anxiety" in the Western imagination. Suzanne Preston Blier elucidates the myths surrounding the art of Africa. And an international team of scholars explores the significance of each of the objects reproduced. The volume is rounded off with a selected bibliography."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/353467819>
schema:genre"Exhibition catalogs"@en
schema:inLanguage"en"
schema:name"Africa, the art of a continent : 100 works of power and beauty"@en
schema:publication
schema:publisher
schema:workExample
schema:workExample
wdrs:describedby

Content-negotiable representations

Close Window

กรุณาลงชื่อเข้าสู่ระบบ WorldCat 

ยังไม่มีบัญชีผู้ใช้? คุณสามารถสร้างได้อย่างง่ายดาย สร้างบัญชีผู้ใช้ฟรี.