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After Django : making jazz in postwar France

Author: Tom Perchard
Publisher: Ann Arbor [Michigan] : University of Michigan Press, 2015.
Series: Jazz perspectives (Ann Arbor, Mich.)
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

The first study to focus on jazz in postwar France, this book explores the ways that French musicians and critics received and remade an American music according to their own cultural concerns

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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Tom Perchard
ISBN: 9780472072422 9780472052424 0472072420 047205242X
OCLC Number: 888401393
Description: viii, 297 pages : illustrations, music ; 24 cm.
Contents: Histories of jazz in France --
Hugues Panassié's supernatural swing : criticism, politics and the iconic jazz recording --
Jazz between art and entertainment : André Hodeir and Thelonious Monk --
Cool going cold : Miles Davis and Ascenseur pour l'échafaud --
Barney Wilen : phantoms and freedom --
Looking for something we don't yet know : towards a French jazz --
A good jazzman is a dead jazzman.
Series Title: Jazz perspectives (Ann Arbor, Mich.)
Responsibility: Tom Perchard.
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"The ambiguity of France's attraction to Afro-America was surely what James Baldwin had in mind when, in 1960, he suggested that 'someone, some day, should do a study in depth of the role of the Read more...

 
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