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The Age of gold

著者: Carlos Fuentes; Michael Gill; Peter Newington; Sogetel (Firm)
出版: [S.l.] : Public Media Video, ©1991.
シリーズ: Buried mirror, program 3.
エディション/フォーマット:   VHS : VHS tape   視覚資料 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
The New World brought Spain enormous treasures: gold, silver, chocolate, tomatoes, the potato. Yet Spain's most powerful ruler, Philip II, lived in austere solitude in a cell-like study. He sought to protect the Catholic faith, while Cervantes questioned all values in Don Quixote. Velázquez painted masterpieces of psychological penetration that vaulted the Atlantic.
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詳細

資料の種類: Videorecording
ドキュメントの種類: 視覚資料
すべての著者/寄与者: Carlos Fuentes; Michael Gill; Peter Newington; Sogetel (Firm)
ISBN: 0780007255 9780780007253
OCLC No.: 26115910
注記: Based on an original idea by Peggy K. Liss.
著作権: Photography by Terry Hopkins ; music by Carl Davis.
パフォーマー Carlos Fuentes.
物理形態: 1 videocassette (ca. 59 min.) : sd., col. ; 1/2 in.
詳細: VHS.
コンテンツ: "The New World brought Spain (and ultimatley Europe) enormous treasures: gold, silver, chocolate, tomatoes, the potato. Yet Spain's most powerful ruler, Philip II, lived in austere solitude in a cell-like study. He sought to protect the Catholic faith, while the Spanish author Cervantes questioned all values in Don Quixote, the prototype of the modern noyel. At the court, Valazquez painted masterpieces of psychological penetration, and the Baroque style vaulted the Atlantic and celebrated its transformation into a tool for Indian fantasy in the magnificent churches of Potosi and Ocotlan." --cover.
シリーズタイトル: Buried mirror, program 3.
責任者: a Sogetel, S.A. production in association with the Smithsonian Institution, Quinto Centenario España ; produced by Michael Gill ; directed by Peter Newington ; written by Carlos Fuentes.

概要:

The New World brought Spain enormous treasures: gold, silver, chocolate, tomatoes, the potato. Yet Spain's most powerful ruler, Philip II, lived in austere solitude in a cell-like study. He sought to protect the Catholic faith, while Cervantes questioned all values in Don Quixote. Velázquez painted masterpieces of psychological penetration that vaulted the Atlantic.

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