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The Age of gold

作者: Carlos Fuentes; Michael Gill; Peter Newington; Sogetel (Firm)
出版商: [S.l.] : Public Media Video, ©1991.
叢書: Buried mirror, program 3.
版本/格式:   VHS影像 : VHS錄影帶   影像資料 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
The New World brought Spain enormous treasures: gold, silver, chocolate, tomatoes, the potato. Yet Spain's most powerful ruler, Philip II, lived in austere solitude in a cell-like study. He sought to protect the Catholic faith, while Cervantes questioned all values in Don Quixote. Velázquez painted masterpieces of psychological penetration that vaulted the Atlantic.
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資料類型: 錄影
文件類型: 影像資料
所有的作者/貢獻者: Carlos Fuentes; Michael Gill; Peter Newington; Sogetel (Firm)
ISBN: 0780007255 9780780007253
OCLC系統控制編碼: 26115910
注意: Based on an original idea by Peggy K. Liss.
餘額: Photography by Terry Hopkins ; music by Carl Davis.
表演者: Carlos Fuentes.
描述: 1 videocassette (ca. 59 min.) : sd., col. ; 1/2 in.
詳述: VHS.
内容: "The New World brought Spain (and ultimatley Europe) enormous treasures: gold, silver, chocolate, tomatoes, the potato. Yet Spain's most powerful ruler, Philip II, lived in austere solitude in a cell-like study. He sought to protect the Catholic faith, while the Spanish author Cervantes questioned all values in Don Quixote, the prototype of the modern noyel. At the court, Valazquez painted masterpieces of psychological penetration, and the Baroque style vaulted the Atlantic and celebrated its transformation into a tool for Indian fantasy in the magnificent churches of Potosi and Ocotlan." --cover.
叢書名: Buried mirror, program 3.
責任: a Sogetel, S.A. production in association with the Smithsonian Institution, Quinto Centenario España ; produced by Michael Gill ; directed by Peter Newington ; written by Carlos Fuentes.

摘要:

The New World brought Spain enormous treasures: gold, silver, chocolate, tomatoes, the potato. Yet Spain's most powerful ruler, Philip II, lived in austere solitude in a cell-like study. He sought to protect the Catholic faith, while Cervantes questioned all values in Don Quixote. Velázquez painted masterpieces of psychological penetration that vaulted the Atlantic.

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