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Agency, visuality and society at the Chartreuse de Champmol

Author: Sherry C M Lindquist
Publisher: Aldershot, England ; Burlington, VT : Ashgate, ©2008.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Grounded in archival sources, this interdisciplinary study explores the profound historical significance of the mausoleum of the Valois Dukes of Burgundy - the Chartreuse de Champmol. Although the monument is well known as the site of pivotal works of art by Claus Sluter, Melchior Broederlam, Jean de Beaumetz and others, until now art historians have not considered how these works functioned at the center of a  Read more...
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Genre/Form: History
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Sherry C M Lindquist
ISBN: 9780754660460 075466046X
OCLC Number: 156785067
Description: xviii, 251 pages, xii pages of plates : illustrations (some color), music ; 26 cm
Contents: The monument --
Agency --
Visuality --
Society.
Responsibility: Sherry C.M. Lindquist.
More information:

Abstract:

Explores the historical significance of the mausoleum of Valois Dukes of Burgundy - the Chartreuse de Champmol. This study considers the sacred subjects of the various sculptures and paintings not  Read more...

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'Sherry Lindquist's study of the art program at the Chartreuse de Champmol is a fine work of analysis and theoretical reformulation of the site's original significance. ...Although a detailed Read more...

 
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    schema:reviewBody ""Grounded in archival sources, this interdisciplinary study explores the profound historical significance of the mausoleum of the Valois Dukes of Burgundy - the Chartreuse de Champmol. Although the monument is well known as the site of pivotal works of art by Claus Sluter, Melchior Broederlam, Jean de Beaumetz and others, until now art historians have not considered how these works functioned at the center of a complex social matrix. Sherry. Lindquist here considers the sacred subjects of the various sculptures and paintings not merely as devotional tools or theological statements, but as profoundly influential social instruments that negotiated complex interactions of power." "Lindquist's sophisticated discussion coordinates analysis of primary sources with the most up-to-date scholarship in the field of art history, not only with respect to late medieval Burgundian art, but also to more theoretical questions pertaining to reception."--Jacket." ;
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