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Air for the G string : coaching, analysis, & performance

著者: Ernestine StodelleDoris HumphreyStephanie ClemensJohann Sebastian BachDoris Humphrey Society.すべての著者
出版: Hightstown, NJ : Dance Horizons Video, 2008, ©1997.
シリーズ: Doris Humphrey legacy.
エディション/フォーマット:   DVD : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central  続きを読む
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詳細

ジャンル/形式: Filmed dance
関連の人物: Doris Humphrey
資料の種類: Videorecording
ドキュメントの種類: 視覚資料
すべての著者/寄与者: Ernestine Stodelle; Doris Humphrey; Stephanie Clemens; Johann Sebastian Bach; Doris Humphrey Society.; Dance Horizons Video (Firm)
ISBN: 9780871273383 0871273381
OCLC No.: 654121680
注記: First Dance Horizons DVD release; original copyright c1997 by The Doris Humphrey Society.
パフォーマー Danced in 1934 film by Doris Humphrey, Cleo Atheneos, Ernestine Stodelle, Hyla Rubin, Dorothy Lathrop.
Danced in coaching session by Raphael Ziemba, Regina Wilken, Stephanie Clemens, Jeanne Warner, Maya Joseph.
Danced in concluding performance by the Silo Chamber Dancers: Siobhan Simisky, Katherine Blalock, Sandra Kaufman, Catherine Connal, Lydia Saad ; artistic director, Ernestine Stodelle.
形態 1 videodisc (90 min.) : sd., col. with b&w sequences ; 4 3/4 in.
詳細: DVD.
シリーズタイトル: Doris Humphrey legacy.
他のタイトル: Humphrey
Air for the G string (Choreographic work : Humphrey)
責任者: choreography by Doris Humphrey ; music by Johann Sebastian Bach ; performed by the Doris Humphrey Workshop Dancers ; analysis and coaching by Ernstine Stodelle ; excutive director, Stephanie Clemens.

概要:

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape.

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