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Air for the G string : coaching, analysis, & performance

저자: Ernestine StodelleDoris HumphreyStephanie ClemensJohann Sebastian BachDoris Humphrey Society.모든 저자
출판사: Hightstown, NJ : Dance Horizons Video, 2008, ©1997.
시리즈: Doris Humphrey legacy.
판/형식:   DVD 비디오 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central  더 읽기…
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상세정보

장르/형태: Filmed dance
명시된 사람: Doris Humphrey; Doris Humphrey
자료 유형: 비디오레코딩
문서 형식: 시각 자료
모든 저자 / 참여자: Ernestine Stodelle; Doris Humphrey; Stephanie Clemens; Johann Sebastian Bach; Doris Humphrey Society.; Dance Horizons Video (Firm)
ISBN: 9780871273383 0871273381
OCLC 번호: 654121680
메모: First Dance Horizons DVD release; original copyright c1997 by The Doris Humphrey Society.
공연자 Danced in 1934 film by Doris Humphrey, Cleo Atheneos, Ernestine Stodelle, Hyla Rubin, Dorothy Lathrop.
Danced in coaching session by Raphael Ziemba, Regina Wilken, Stephanie Clemens, Jeanne Warner, Maya Joseph.
Danced in concluding performance by the Silo Chamber Dancers: Siobhan Simisky, Katherine Blalock, Sandra Kaufman, Catherine Connal, Lydia Saad ; artistic director, Ernestine Stodelle.
설명: 1 videodisc (90 min.) : sd., col. with b&w sequences ; 4 3/4 in.
세부사항: DVD.
일련 제목: Doris Humphrey legacy.
다른 제목 Humphrey
Air for the G string (Choreographic work : Humphrey)
책임: choreography by Doris Humphrey ; music by Johann Sebastian Bach ; performed by the Doris Humphrey Workshop Dancers ; analysis and coaching by Ernstine Stodelle ; executive director, Stephanie Clemens.

초록:

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b&w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape.

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