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Alan Bennett : a critical introduction

作者: Joseph H O'Mealy
出版商: New York : Routledge, 2001.
叢書: Studies in modern drama, 27.
版本/格式:   打印圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Alan Bennett is one of England's best-loved playwrights. He is perhaps best known there for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play The Madness of King George. Over the last thirty years, Bennett has written ten stage plays, three screenplays, eight television documentaries, and over thirty plays for television. Yet
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類型/形式: Criticism, interpretation, etc
提及的人: Alan Bennett; Alan Bennett; Alan Bennett
文件類型 圖書
所有的作者/貢獻者: Joseph H O'Mealy
ISBN: 0815335407 9780815335405
OCLC系統控制編碼: 45505863
描述: xxii, 169 pages ; 24 cm.
内容: Introduction: Who Is Alan Bennett? --
1. Early Stage Works: From Beyond the Fringe to Habeas Corpus --
2. Early Television Plays: 1972-1979 --
3. Deeper North: Enjoy, Objects of Affection, and A Private Function --
4. Spies and Writers: Burgess, Blunt, Kafka, and Proust --
5. The Presentation of Self in Everyday Life: Talking Heads --
6. Millennium Approaches: Talking Heads 2 --
7. Adapting to Stage and Screen: Joe Orton, Mr. Toad, and George III --
8. Conclusion: In the Van(guard).
叢書名: Studies in modern drama, 27.
責任: Joseph O'Mealy.
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By critical and popular description, Alan Bennett is one of England's best-loved playwrights. He is perhaps best known in the UK for the BBC production of his Talking Heads TV plays, while the rest  再讀一些...

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    schema:reviewBody ""Alan Bennett is one of England's best-loved playwrights. He is perhaps best known there for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play The Madness of King George. Over the last thirty years, Bennett has written ten stage plays, three screenplays, eight television documentaries, and over thirty plays for television. Yet Bennett's work has resisted "serious" reviews in academic publications, as his reputation as a comedic player during the early '60s has saddled him with the label "lovable." Joseph O'Mealy demonstrates that Bennett is a social critic strongly influenced by Beckett and Swift, interested in depicting and analyzing the role playing of everyday life." ;
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