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Alan Moore : comics as performance, fiction as scalpel Titelvorschau
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Alan Moore : comics as performance, fiction as scalpel

Verfasser/in: Annalisa Di Liddo
Verlag: Jackson : University Press of Mississippi, ©2009.
Serien: Great comics artists.
Ausgabe/Format   E-Book : Dokument : Bundesstaatliche Regierungsveröffentlichung : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to  Weiterlesen…
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Gattung/Form: Electronic books
Criticism, interpretation, etc
Physisches Format Print version:
Di Liddo, Annalisa, 1977-
Alan Moore.
Jackson : University Press of Mississippi, ©2009
(DLC) 2008038646
(OCoLC)245537200
Name: Alan Moore; Alan Moore; Alan Moore; Alan Moore
Medientyp: Dokument, Amtliche Veröffentlichung, Bundesstaatliche Regierungsveröffentlichung, Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Annalisa Di Liddo
ISBN: 9781604734768 1604734760
OCLC-Nummer: 472608639
Beschreibung: 1 online resource (211 pages) : illustrations.
Inhalt: Chapter 1. Formal considerations on Alan Moore's writing --
Chapter 2. Chronotopes: outer space, the cityscape, and the space of comics --
Chapter 3. Moore and the crisis of English identity --
Chapter 4. Finding a way into Lost Girls.
Serientitel: Great comics artists.
Verfasserangabe: Annalisa Di Liddo.

Abstract:

Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main.

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