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Alan Moore : comics as performance, fiction as scalpel

Auteur : Annalisa Di Liddo
Éditeur : Jackson : University Press of Mississippi, ©2009.
Collection : Great comics artists.
Édition/format :   Livre électronique : Document : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to  Lire la suite...
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Détails

Genre/forme : Electronic books
Format – détails additionnels : Print version:
Di Liddo, Annalisa, 1977-
Alan Moore.
Jackson : University Press of Mississippi, c2009
(DLC) 2008038646
(OCoLC)245537200
Personne nommée : Alan Moore; Alan Moore
Type d’ouvrage : Document, Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Annalisa Di Liddo
ISBN : 9781604734768 1604734760
Numéro OCLC : 472608639
Description : 1 online resource (211 p.) : ill.
Contenu : Chapter 1. Formal considerations on Alan Moore's writing --
Chapter 2. Chronotopes: outer space, the cityscape, and the space of comics --
Chapter 3. Moore and the crisis of English identity --
Chapter 4. Finding a way into Lost Girls.
Titre de collection : Great comics artists.
Responsabilité : Annalisa Di Liddo.

Résumé :

Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main.

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Données liées


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