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Alan Moore : comics as performance, fiction as scalpel

Autore: Annalisa Di Liddo
Editore: Jackson : University Press of Mississippi, ©2009.
Serie: Great comics artists.
Edizione/Formato:   eBook : Document : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to  Per saperne di più…
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Dettagli

Genere/forma: Electronic books
Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Print version:
Di Liddo, Annalisa, 1977-
Alan Moore.
Jackson : University Press of Mississippi, c2009
(DLC) 2008038646
(OCoLC)245537200
Persona incaricata: Alan Moore; Alan Moore; Alan Moore
Tipo materiale: Document, Government publication, State or province government publication, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Annalisa Di Liddo
ISBN: 9781604734768 1604734760
Numero OCLC: 472608639
Descrizione: 1 online resource (211 p.) : ill.
Contenuti: Chapter 1. Formal considerations on Alan Moore's writing --
Chapter 2. Chronotopes: outer space, the cityscape, and the space of comics --
Chapter 3. Moore and the crisis of English identity --
Chapter 4. Finding a way into Lost Girls.
Titolo della serie: Great comics artists.
Responsabilità: Annalisa Di Liddo.

Abstract:

Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main.

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