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Alan Moore : comics as performance, fiction as scalpel

著者: Annalisa Di Liddo
出版商: Jackson : University Press of Mississippi, ©2009.
丛书: Great comics artists.
版本/格式:   电子图书 : 文献 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to  再读一些...
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详细书目

类型/形式: Electronic books
Criticism, interpretation, etc
附加的形体格式: Print version:
Di Liddo, Annalisa, 1977-
Alan Moore.
Jackson : University Press of Mississippi, ©2009
(DLC) 2008038646
(OCoLC)245537200
提及的人: Alan Moore; Alan Moore; Alan Moore; Alan Moore
材料类型: 文献, 互联网资源
文件类型: 互联网资源, 计算机文档
所有的著者/提供者: Annalisa Di Liddo
ISBN: 9781604734768 1604734760
OCLC号码: 472608639
描述: 1 online resource (211 pages) : illustrations.
内容: Chapter 1. Formal considerations on Alan Moore's writing --
Chapter 2. Chronotopes: outer space, the cityscape, and the space of comics --
Chapter 3. Moore and the crisis of English identity --
Chapter 4. Finding a way into Lost Girls.
丛书名: Great comics artists.
责任: Annalisa Di Liddo.

摘要:

"Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works--Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea, and Lost Girls. The study also highlights Moore's lesser-known output, such as Halo Jones, Skizz, and Big Numbers, and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century."--JSTOR website (viewed May 26, 2017)

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