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Albrecht Dürer and the Venetian Renaissance

Author: Katherine Crawford Luber; Albrecht Dürer
Publisher: Cambridge, U.K. ; New York, NY : Cambridge University Press, 2005.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
"Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic  Read more...
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Genre/Form: Criticism, interpretation, etc
Named Person: Albrecht Dürer; Albrecht Dürer; Albrecht Dürer; Albrecht Dürer
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Katherine Crawford Luber; Albrecht Dürer
ISBN: 0521562880 9780521562881
OCLC Number: 37201231
Description: 268 p., 8 p. of plates : ill. (some col.) ; 24 cm.
Contents: Dürer's mythic and real presence in Italy : an argument against two separate journeys --
The Feast of the rose garlands I : Dürer's appropriation of Venetian painterly techniques --
The Feast of the rose garlands II : Dürer, Giovanni Bellini, and eristic imitation in the Renaissance --
After Venice : concordance of technique and meaning --
Repetition and the manipulation of meaning : drawings and paintings after 1512 --
The history of the condition of the Feast of the rose garlands --
Dürer's theoretical writing on color.
Responsibility: Katherine Crawford Luber.
More information:

Abstract:

"Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. Luber also demonstrates how the Venetian alternative to "scientific" perspective was integrated not only in Durer's late paintings but also in his later graphic oeuvre, which necessitates a reassessment of the critical partition of his painted and graphic work. Emphasizing Durer's careful working methods, Luber argues that technique is an interpretable and critically important aspects of artworks that should be integrated into mainstream art historical studies."--BOOK JACKET.

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