zum Inhalt wechseln
Albrecht Dürer and the Venetian Renaissance Titelvorschau
SchließenTitelvorschau
Prüfung…

Albrecht Dürer and the Venetian Renaissance

Verfasser/in: Katherine Crawford Luber; Albrecht Dürer
Verlag: Cambridge, U.K. ; New York, NY : Cambridge University Press, 2005.
Ausgabe/Format   Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic  Weiterlesen…
Bewertung:

(noch nicht bewertet) 0 mit Rezensionen - Verfassen Sie als Erste eine Rezension.

Themen
Ähnliche Titel

 

Exemplar ausleihen

&AllPage.SpinnerRetrieving; Suche nach Bibliotheken, die diesen Titel besitzen ...

Details

Gattung/Form: Criticism, interpretation, etc
Name: Albrecht Dürer; Albrecht Dürer; Albrecht Dürer; Albrecht Dürer
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Katherine Crawford Luber; Albrecht Dürer
ISBN: 0521562880 9780521562881
OCLC-Nummer: 37201231
Beschreibung: 268 p., 8 p. of plates : ill. (some col.) ; 24 cm.
Inhalt: Dürer's mythic and real presence in Italy : an argument against two separate journeys --
The Feast of the rose garlands I : Dürer's appropriation of Venetian painterly techniques --
The Feast of the rose garlands II : Dürer, Giovanni Bellini, and eristic imitation in the Renaissance --
After Venice : concordance of technique and meaning --
Repetition and the manipulation of meaning : drawings and paintings after 1512 --
The history of the condition of the Feast of the rose garlands --
Dürer's theoretical writing on color.
Verfasserangabe: Katherine Crawford Luber.
Weitere Informationen:

Abstract:

"Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. Luber also demonstrates how the Venetian alternative to "scientific" perspective was integrated not only in Durer's late paintings but also in his later graphic oeuvre, which necessitates a reassessment of the critical partition of his painted and graphic work. Emphasizing Durer's careful working methods, Luber argues that technique is an interpretable and critically important aspects of artworks that should be integrated into mainstream art historical studies."--BOOK JACKET.

Rezensionen

Nutzer-Rezensionen
Suche nach GoodReads-Rezensionen
Suche nach DOGObooks-Rezensionen…

Tags

Tragen Sie als Erste Tags ein.
Anfrage bestätigen

Sie haben diesen Titel bereits angefordert. Wenn Sie trotzdem fortfahren möchten, klicken Sie auf OK.

Verlinkung


<http://www.worldcat.org/oclc/37201231>
library:oclcnum"37201231"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/37201231>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:creator
schema:datePublished"2005"
schema:description"Dürer's mythic and real presence in Italy : an argument against two separate journeys -- The Feast of the rose garlands I : Dürer's appropriation of Venetian painterly techniques -- The Feast of the rose garlands II : Dürer, Giovanni Bellini, and eristic imitation in the Renaissance -- After Venice : concordance of technique and meaning -- Repetition and the manipulation of meaning : drawings and paintings after 1512 -- The history of the condition of the Feast of the rose garlands -- Dürer's theoretical writing on color."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/556356>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Albrecht Dürer and the Venetian Renaissance"@en
schema:numberOfPages"268"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/37201231>
schema:reviewBody""Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. Luber also demonstrates how the Venetian alternative to "scientific" perspective was integrated not only in Durer's late paintings but also in his later graphic oeuvre, which necessitates a reassessment of the critical partition of his painted and graphic work. Emphasizing Durer's careful working methods, Luber argues that technique is an interpretable and critically important aspects of artworks that should be integrated into mainstream art historical studies."--BOOK JACKET."
schema:url
schema:workExample
umbel:isLike<http://d-nb.info/975917994>
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB98Z0515>

Content-negotiable representations

Fenster schließen

Bitte in WorldCat einloggen 

Sie haben kein Konto? Sie können sehr einfach ein kostenloses Konto anlegen,.