skip to content
Albrecht Dürer and the Venetian Renaissance Preview this item
ClosePreview this item
Checking...

Albrecht Dürer and the Venetian Renaissance

Author: Katherine Crawford Luber; Albrecht Dürer
Publisher: Cambridge, U.K. ; New York, NY : Cambridge University Press, 2005.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Summary:
"Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic  Read more...
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Named Person: Albrecht Dürer; Albrecht Dürer; Albrecht Dürer; Albrecht Dürer
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Katherine Crawford Luber; Albrecht Dürer
ISBN: 0521562880 9780521562881
OCLC Number: 37201231
Description: 268 pages, 8 pages of plates : illustrations (some color) ; 24 cm
Contents: Dürer's mythic and real presence in Italy : an argument against two separate journeys --
The Feast of the rose garlands I : Dürer's appropriation of Venetian painterly techniques --
The Feast of the rose garlands II : Dürer, Giovanni Bellini, and eristic imitation in the Renaissance --
After Venice : concordance of technique and meaning --
Repetition and the manipulation of meaning : drawings and paintings after 1512 --
The history of the condition of the Feast of the rose garlands --
Dürer's theoretical writing on color.
Responsibility: Katherine Crawford Luber.
More information:

Abstract:

A study of Durer's appropriation of Venetian painting techniques.  Read more...

Reviews

Editorial reviews

Publisher Synopsis

"The overall achievement of Luber's engaging book is to bring one to a closer, practical understanding of Durer's relationship with Venetian art and art theory. More than this, she has provided the Read more...

 
User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/37201231>
library:oclcnum"37201231"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/54146999>
rdf:typeschema:Person
schema:birthDate"1471"
schema:deathDate"1528"
schema:familyName"Dürer"
schema:givenName"Albrecht"
schema:name"Dürer, Albrecht, 1471-1528."
schema:name"Dürer, Albrecht."
schema:name"Dürer, Albrecht, 1471-1528"
schema:about
schema:about
schema:about
schema:about
schema:contributor
<http://viaf.org/viaf/54146999>
rdf:typeschema:Person
schema:birthDate"1471"
schema:deathDate"1528"
schema:familyName"Dürer"
schema:givenName"Albrecht"
schema:name"Dürer, Albrecht, 1471-1528."
schema:name"Dürer, Albrecht."
schema:name"Dürer, Albrecht, 1471-1528"
schema:creator
schema:datePublished"2005"
schema:description"Dürer's mythic and real presence in Italy : an argument against two separate journeys -- The Feast of the rose garlands I : Dürer's appropriation of Venetian painterly techniques -- The Feast of the rose garlands II : Dürer, Giovanni Bellini, and eristic imitation in the Renaissance -- After Venice : concordance of technique and meaning -- Repetition and the manipulation of meaning : drawings and paintings after 1512 -- The history of the condition of the Feast of the rose garlands -- Dürer's theoretical writing on color."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/556356>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Albrecht Dürer and the Venetian Renaissance"@en
schema:publication
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/37201231>
schema:reviewBody""Albrecht Durer and the Venetian Renaissance examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Providing a technical analysis of these works, Katherine Crawford Luber explains how Durer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. Luber also demonstrates how the Venetian alternative to "scientific" perspective was integrated not only in Durer's late paintings but also in his later graphic oeuvre, which necessitates a reassessment of the critical partition of his painted and graphic work. Emphasizing Durer's careful working methods, Luber argues that technique is an interpretable and critically important aspects of artworks that should be integrated into mainstream art historical studies."--Jacket."
schema:workExample
umbel:isLike<http://d-nb.info/975917994>
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB98Z0515>
wdrs:describedby

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.