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Alejandro Jodorowsky

著者: Alejandro Jodorowsky; Chus Martínez
出版社: Ostfildern, Germany : Hatje Cantz, ©2011.
シリーズ: 100 notes--100 thoughts, no. 014.
エディション/フォーマット:   紙書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"The Chilean director, cartoonist, composer, and visual artist Alejandro Jodorowsky (b. 1929) dedicated a voluminous notebook to the script for his film Dune, after the 1965 science-fiction novel of the same name by Frank Herbert. He even printed the title on this book. But his ambitious project remained unrealized, and in the end, the 1974 notebook instead brings together his intensive research about the historical  続きを読む
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ジャンル/形式: Exhibition catalogs
Notebooks, sketchbooks, etc
Exhibitions
関連の人物: Alejandro Jodorowsky; Alejandro Jodorowsky; Alejandro Jodorowsky
ドキュメントの種類 書籍
すべての著者/寄与者: Alejandro Jodorowsky; Chus Martínez
ISBN: 9783775728638 3775728635
OCLC No.: 747545841
言語注記: Introductory text in English and German.
メモ: Published in conjunction with the exhibition Documenta (13), to be held in September 2012.
物理形態: 5 pages, [40] pages of plates : chiefly illustrations (some color), facsimiles ; 25 cm.
シリーズタイトル: 100 notes--100 thoughts, no. 014.
責任者: introduction, Chus Martinez.

概要:

"The Chilean director, cartoonist, composer, and visual artist Alejandro Jodorowsky (b. 1929) dedicated a voluminous notebook to the script for his film Dune, after the 1965 science-fiction novel of the same name by Frank Herbert. He even printed the title on this book. But his ambitious project remained unrealized, and in the end, the 1974 notebook instead brings together his intensive research about the historical Tarot de Marseille. For three years, Jodorowsky followed the paths of the famous tarot deck to explore its origins and its historical development, as well as the various teachings and interpretations embedded within it. The notebook contains the result of his encounters, conversations, and studies in the form of texts, collages, and diagrams, which are reproduced here in a selection."--Publisher's website.

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