omitir hasta el contenido
Alexander Pope and his eighteenth-century women readers Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

Alexander Pope and his eighteenth-century women readers

Autor: Claudia N Thomas
Editorial: Carbondale : Southern Illinois University Press, ©1994.
Edición/Formato:   Libro : Publicación gubernamental estatal o provincial : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Throughout the 1980s, scholars debated Alexander Pope's attitude toward women by applying such critical methods as Marxist or deconstructionist theories to his texts. In this book, Claudia N. Thomas instead adopts reader-response theory in order to present what she regards as a more accurate analysis, mindful of the historical reception of Pope's various works. Thomas specifically responds to modern allegations that  Leer más
Calificación:

(todavía no calificado) 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

 

Encontrar un ejemplar en línea

Enlaces a este material

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Género/Forma: Criticism, interpretation, etc
History
Formato físico adicional: Online version:
Thomas, Claudia N., 1951-
Alexander Pope and his eighteenth-century women readers.
Carbondale : Southern Illinois University Press, ©1994
(OCoLC)623275671
Persona designada: Alexander Pope; Alexander Pope; Alexander Pope; Alexander Pope; Alexander Pope
Tipo de material: Publicación gubernamental, Publicación gubernamental estatal o provincial, Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Claudia N Thomas
ISBN: 0809318865 9780809318865
Número OCLC: 27066250
Descripción: xii, 309 pages : illustrations ; 24 cm
Contenido: Introduction: Alexander Pope, Literary Creativity, and Eighteenth-Century Women --
1. "Appeals to the Ladies": Pope and His Iliad Readers --
2. Women's Prose Responses to Pope's Writings --
3. Women's Poetic Addresses to Pope --
4. Eighteenth-Century Women and Pope's Early Poetry --
5. Pope and Women's Poems "Something like Horace" --
Conclusion: Pope's Influence on Eighteenth-Century Women's Poetry.
Otros títulos: Alexander Pope and his 18th-century women readers.
Responsabilidad: Claudia N. Thomas.
Más información:

Resumen:

Throughout the 1980s, scholars debated Alexander Pope's attitude toward women by applying such critical methods as Marxist or deconstructionist theories to his texts. In this book, Claudia N. Thomas instead adopts reader-response theory in order to present what she regards as a more accurate analysis, mindful of the historical reception of Pope's various works. Thomas specifically responds to modern allegations that Pope was a misogynist and a literary victimizer of women. If Pope thought women inconsequential, she argues, why did he bother to cultivate a female audience? Furthermore, how did eighteenth-century women readers receive his writings? Thomas answers these questions by examining the literary responses to Pope of his eighteenth-century women readers: their prose responses to Pope, their poems addressed to him or replying to his poems, and their poems strongly influenced by him. These responses not only clarify Pope's works and their relation to cultural history; they also advance women's literary history by reconstructing the female experience of eighteenth-century culture. A surprising amount of testimony survives to illuminate the ways eighteenth-century women read Pope. Women referred to, quoted, and commented on his poems and letters in a variety of writings: diaries, letters, travel books, translations, essays, poems, and novels. They wrote poems of praise and criticism and designed companion pieces to his poems. A number of women poets learned their craft by studying his work; their poems frequently appropriate and recontextualize his themes, language, and imagery. The responses of these women readers, who varied widely in social and economic class, determined whether women received Pope's work passively or resisted its constructions of femininity. For many women, a response to Pope was a reaction to cultural issues ranging from women's emotional and intellectual qualities to their creative capacity. Women's responses demonstrate that they were often shrewdly critical of Pope's gendered rhetoric, yet in contrast, women often claimed Pope as a sympathetic ally in their quests for education and for a more dignified role in their culture. Thomas's detailed consideration of textual evidence makes her work the most inclusive study to date of responses to Pope's poetry on the part of his female contemporaries. It is a unique resource for eighteenth-century scholars as well as for feminist scholars and readers.

Reseñas

Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.
Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Datos enlazados


<http://www.worldcat.org/oclc/27066250>
library:oclcnum"27066250"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
rdf:valueUnknown value: sgp
rdf:valueUnknown value: gpb
rdfs:seeAlso
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2008113595>
rdf:typeschema:Intangible
schema:name"Women and literature--Great Britain--History--18th century."@en
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2008103105>
rdf:typeschema:Intangible
schema:name"English poetry--18th century--History and criticism."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2010004937>
rdf:typeschema:Intangible
schema:name"Women--Books and reading--Great Britain--History--18th century."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2008103146>
rdf:typeschema:Intangible
schema:name"English poetry--Women authors--History and criticism."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"1994"
schema:creator
schema:datePublished"1994"
schema:description"Introduction: Alexander Pope, Literary Creativity, and Eighteenth-Century Women -- 1. "Appeals to the Ladies": Pope and His Iliad Readers -- 2. Women's Prose Responses to Pope's Writings -- 3. Women's Poetic Addresses to Pope -- 4. Eighteenth-Century Women and Pope's Early Poetry -- 5. Pope and Women's Poems "Something like Horace" -- Conclusion: Pope's Influence on Eighteenth-Century Women's Poetry."@en
schema:description"Throughout the 1980s, scholars debated Alexander Pope's attitude toward women by applying such critical methods as Marxist or deconstructionist theories to his texts. In this book, Claudia N. Thomas instead adopts reader-response theory in order to present what she regards as a more accurate analysis, mindful of the historical reception of Pope's various works. Thomas specifically responds to modern allegations that Pope was a misogynist and a literary victimizer of women. If Pope thought women inconsequential, she argues, why did he bother to cultivate a female audience? Furthermore, how did eighteenth-century women readers receive his writings? Thomas answers these questions by examining the literary responses to Pope of his eighteenth-century women readers: their prose responses to Pope, their poems addressed to him or replying to his poems, and their poems strongly influenced by him. These responses not only clarify Pope's works and their relation to cultural history; they also advance women's literary history by reconstructing the female experience of eighteenth-century culture. A surprising amount of testimony survives to illuminate the ways eighteenth-century women read Pope. Women referred to, quoted, and commented on his poems and letters in a variety of writings: diaries, letters, travel books, translations, essays, poems, and novels. They wrote poems of praise and criticism and designed companion pieces to his poems. A number of women poets learned their craft by studying his work; their poems frequently appropriate and recontextualize his themes, language, and imagery. The responses of these women readers, who varied widely in social and economic class, determined whether women received Pope's work passively or resisted its constructions of femininity. For many women, a response to Pope was a reaction to cultural issues ranging from women's emotional and intellectual qualities to their creative capacity. Women's responses demonstrate that they were often shrewdly critical of Pope's gendered rhetoric, yet in contrast, women often claimed Pope as a sympathetic ally in their quests for education and for a more dignified role in their culture. Thomas's detailed consideration of textual evidence makes her work the most inclusive study to date of responses to Pope's poetry on the part of his female contemporaries. It is a unique resource for eighteenth-century scholars as well as for feminist scholars and readers."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/353150>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Alexander Pope and his eighteenth-century women readers"@en
schema:publication
schema:publisher
schema:workExample
wdrs:describedby

Content-negotiable representations

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.