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Alfred Stieglitz, photographs & writings

Autore: Alfred Stieglitz; Sarah Greenough; Juan Hamilton; National Gallery of Art (U.S.)
Editore: Washington : National Gallery of Art, [1983]
Edizione/Formato:   Libro : National government publication : English : 1st edVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
This volume presents seventy-three of American photographer Alfred Stieglitz's finest works. The photographs span Stieglitz's entire career; his early European studies from the 1880s and 1890s; his views of New York City from the turn of the century; the portraits of the many artists and writers he supported; the extended portraiture of Georgia O'Keefe; his photographs of clouds, the Equivalents; and his final  Per saperne di più…
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Dettagli

Genere/forma: Exhibition catalogs
Exhibitions
Expositions
Persona incaricata: Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz
Tipo materiale: Government publication, National government publication
Tipo documento: Book
Tutti gli autori / Collaboratori: Alfred Stieglitz; Sarah Greenough; Juan Hamilton; National Gallery of Art (U.S.)
ISBN: 0894680277 9780894680274 093511209X 9780935112092
Numero OCLC: 8451923
Note: "Calloway editions."
"Published as a complement to the exhibition to be mounted by the National Gallery of Art, 30 January-1 May 1983"-
Descrizione: 246 pages : illustrations, portraits ; 36 cm
Responsabilità: Sarah Greenough, Juan Hamilton.

Abstract:

This volume presents seventy-three of American photographer Alfred Stieglitz's finest works. The photographs span Stieglitz's entire career; his early European studies from the 1880s and 1890s; his views of New York City from the turn of the century; the portraits of the many artists and writers he supported; the extended portraiture of Georgia O'Keefe; his photographs of clouds, the Equivalents; and his final studies of New York City and Lake George from the 1920s and 1930s. This book focuses on Stieglitz's central vision of photography ("search for objective truth and pure form") which increasingly was about "antiphotographs" or images that move beyond simple representation. Originally published as a complement to the exhibition at the National Gallery of Art in 1983.

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