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Alfred Stieglitz, photographs & writings

著者: Alfred Stieglitz; Sarah Greenough; Juan Hamilton; National Gallery of Art (U.S.)
出版: Washington : National Gallery of Art, [1983]
エディション/フォーマット:   書籍 : National government publication : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
This volume presents seventy-three of American photographer Alfred Stieglitz's finest works. The photographs span Stieglitz's entire career; his early European studies from the 1880s and 1890s; his views of New York City from the turn of the century; the portraits of the many artists and writers he supported; the extended portraiture of Georgia O'Keefe; his photographs of clouds, the Equivalents; and his final  続きを読む
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詳細

ジャンル/形式: Exhibition catalogs
Exhibitions
Expositions
関連の人物: Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz
資料の種類: Government publication, National government publication
ドキュメントの種類: 図書
すべての著者/寄与者: Alfred Stieglitz; Sarah Greenough; Juan Hamilton; National Gallery of Art (U.S.)
ISBN: 0894680277 9780894680274 093511209X 9780935112092
OCLC No.: 8451923
注記: "Calloway editions."
"Published as a complement to the exhibition to be mounted by the National Gallery of Art, 30 January-1 May 1983"-
物理形態: 246 pages : illustrations, portraits ; 36 cm
責任者: Sarah Greenough, Juan Hamilton.

概要:

This volume presents seventy-three of American photographer Alfred Stieglitz's finest works. The photographs span Stieglitz's entire career; his early European studies from the 1880s and 1890s; his views of New York City from the turn of the century; the portraits of the many artists and writers he supported; the extended portraiture of Georgia O'Keefe; his photographs of clouds, the Equivalents; and his final studies of New York City and Lake George from the 1920s and 1930s. This book focuses on Stieglitz's central vision of photography ("search for objective truth and pure form") which increasingly was about "antiphotographs" or images that move beyond simple representation. Originally published as a complement to the exhibition at the National Gallery of Art in 1983.

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