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Alive & kicking. Rennie Harris PureMovement : new dance & performance art from P.S. 122 in New York City

Author: Rennie Harris; Jorge Lehmann; Charles Dennis; Performance Space 122.; Loisaida Arts, Inc.
Publisher: New York, N.Y. : Loisaida Arts, Inc., ©1998.
Series: Alive & kicking, Program #47.
Edition/Format:   VHS video : VHS tape : NTSC color broadcast system   Visual material : English
Database:WorldCat
Summary:
Interview with Rennie Harris, artistic director of the Philadelphia-based hip-hop company Rennie Harris PureMovement. He discusses his concept of hip-hop as concert dance, and some of his experiments with the form, such as combining hip-hop with traditional drumming or chanting, and making hip-hop works for ballet or modern dancers. The interview is followed by excerpts from Endangered species, recorded at P.S. 122,  Read more...
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Details

Genre/Form: Dance
Interviews
Video
Named Person: Rennie Harris; Brandon Albright; James Colter; Clyde Evans; Rodney Mason; Les Rivera; Ron Wood
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Rennie Harris; Jorge Lehmann; Charles Dennis; Performance Space 122.; Loisaida Arts, Inc.
OCLC Number: 44006655
Credits: Choreography, Rennie Harris ; lighting/production management, Jorge Lehmann. Excerpt from March of the antmen: music, Grisha Coleman, Dru Minyard, Continuum ; music mixed by DJ Lee.
Performer(s): Interviewee: Rennie Harris.
Performed by Rennie Harris PureMovement: Brandon Albright, James Colter, Clyde Evans, Jr., Rodney Mason, Les Rivera, Ron Wood.
Description: 1 videocassette (29 min.) : sd., col. NTSC ; 1/2 in. (VHS)
Series Title: Alive & kicking, Program #47.
Responsibility: presented by P.S. 122 and Loisada Arts, Inc. ; produced and directed by Charles Dennis.

Abstract:

Interview with Rennie Harris, artistic director of the Philadelphia-based hip-hop company Rennie Harris PureMovement. He discusses his concept of hip-hop as concert dance, and some of his experiments with the form, such as combining hip-hop with traditional drumming or chanting, and making hip-hop works for ballet or modern dancers. The interview is followed by excerpts from Endangered species, recorded at P.S. 122, New York, on November 19, 1998 ; camera, Charles Dennis.

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