pular para conteúdo
All made of tunes : Charles Ives and the uses of musical borrowing Ver prévia deste item
FecharVer prévia deste item
Checando...

All made of tunes : Charles Ives and the uses of musical borrowing

Autor: J Peter Burkholder
Editora: New Haven : Yale University Press, ©1995.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical,
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Gênero/Forma: Sources
Pessoa Denominada: Charles Ives; Charles Ives; Charles Ives; Charles Ives; Charles Ives; Charles Ives
Tipo de Documento: Livro
Todos os Autores / Contribuintes: J Peter Burkholder
ISBN: 0300056427 9780300056426 0300102127 9780300102123
Número OCLC: 32237536
Descrição: xii, 554 p. : ill. ; 24 cm.
Conteúdos: 1. Ives's Uses of Existing Music --
2. Emulating Models and Learning Musical Styles --
3. The Art of Paraphrase --
4. Modeling and Paraphrase in the First and Second Symphonies --
5. Cumulative Settings --
6. The Development and Significance of Cumulative Settings --
7. Modeling and Stylistic Allusion to Evoke a Style or Genre --
8. Patchwork and Extended Paraphrase --
9. Programmatic Quotation --
10. Quodlibet and Collage --
11. The Significance of Ives's Uses of Existing Music --
Index of Ives's Compositions.
Outros Títulos: Charles Ives and the uses of musical borrowing
Responsabilidade: J. Peter Burkholder.

Resumo:

Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one.

Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.

Críticas

Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.
Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/32237536>
library:oclcnum"32237536"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/32237536>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"1995"
schema:creator
schema:datePublished"1995"
schema:description"Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one."@en
schema:description"1. Ives's Uses of Existing Music -- 2. Emulating Models and Learning Musical Styles -- 3. The Art of Paraphrase -- 4. Modeling and Paraphrase in the First and Second Symphonies -- 5. Cumulative Settings -- 6. The Development and Significance of Cumulative Settings -- 7. Modeling and Stylistic Allusion to Evoke a Style or Genre -- 8. Patchwork and Extended Paraphrase -- 9. Programmatic Quotation -- 10. Quodlibet and Collage -- 11. The Significance of Ives's Uses of Existing Music -- Index of Ives's Compositions."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/796077560>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Sources"@en
schema:inLanguage"en"
schema:name"All made of tunes : Charles Ives and the uses of musical borrowing"@en
schema:name"Charles Ives and the uses of musical borrowing"@en
schema:numberOfPages"554"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.