skip to content
The Amadeus book of the violin : construction, history, and music Preview this item
ClosePreview this item
Checking...

The Amadeus book of the violin : construction, history, and music

Author: Walter Kolneder; Reinhard G Pauly
Publisher: Portland, Or. : Amadeus Press, ©1998.
Edition/Format:   Book : EnglishView all editions and formats
Database:WorldCat
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Kolneder, Walter.
Amadeus book of the violin.
Portland, Or. : Amadeus Press, ©1998
(OCoLC)639578199
Document Type: Book
All Authors / Contributors: Walter Kolneder; Reinhard G Pauly
ISBN: 1574670387 9781574670387
OCLC Number: 37909888
Description: 597 pages : illustrations ; 24 cm
Contents: Part one : The instrument --
Tone production --
Violin making : the wood --
Bow making --
Manual work and machines --
String making --
Violin maintenance : repair --
Part two : The history of the violin --
The prehistory --
String instruments in thirteenth- and fourteenth-century Europe --
The violin's early history --
Musical developments in the fifteenth century --
Viola da gamba and viola da bracchio --
The origin of the violin --
The violin in the early sixteenth century --
The rise of the Amati family ; Cremona becomes the center of violin making --
Gasparo da Salò and the early Brescia school --
Violin making in the seventeenth century ; the Cremona school from Nicolò III Aamati to Antonio Stradivari --
Violin making in seventeenth-century Brescia --
Italian seventeenth-century violin makers outside Brescia and Cremona --
National schools in Europe before 1700 ; Jacob Stainer --
Italian violin making in the eighteenth century ; Antonius Stradivarius and Josephus Guarnerius del Gesù --
The decline of Italian violin making during the second half of the eighteenth century --
The "secret" of the old Italian luthiers --
The old Italian varnish --
Eighteenth-century violin making outside Italy --
The industrialization of violin making --
Violin collectors and dealers --
Violin making and the development of the natural sciences --
Violin making since 1800 --
Violin making as a hobby --
The history and making of violin bows --
List of bow makers --
Summary and projections. Part three : Performance, pedagogy, and composition --
Violin Playing and Teaching in the Sixteenth Century --
Early Seventeenth-Century Developments --
Monteverdi and the Violin --
Biagio Marini --
Forms of Seventeenth-Century Violin Music --
Farina and Virtuoso Playing --
Standardization of the Orchestra ; Categories and formal design in orchestral music --
Chamber Music and Orchestral Music before Corelli --
Germany and Austria in the Seventeenth Century --
France and England in the Seventeenth Century --
Corelli and Violin Music at the End of the Seventeenth Century --
Seventeenth-Century Violin Instruction Books --
Torelli and the Beginnings of the Solo Concerto --
Antonio Vivaldi and the Solo Concerto --
The Origin of the Solo Cadenza --
Italian Violin Playing after Vivaldi ; Geminiani, Somis, Veracim, Locatelli --
Johann Sebastian Bach's Compositions for Violin --
The "Bach" Bow --
Instruction Books from the First Half of the Eighteenth Century --
Mid-Century Style Changes ; Johann Stamitz ; Giuseppe Tartini --
The Classic Solo Concerto --
Mozart's Compositions for Violin --
The Origins of the String Quartet ' Quartets by Haydn and Mozart --
Orchestra Playing in the Eighteenth Century ; The classical symphony --
Instruction Books, 1750-1800 --
The Etude's Origin --
The Development of Violin Playing in the Principal Countries of Europe during the Eighteenth Century --
The Founding of the Paris Conservatoire ; The beginnings of modern music education --
Beethoven's Compositions for Violin --
Traveling Virtuosos --
Nicole Paganini --
Nineteenth-Century Violin Playing --
Nineteenth-Century Violin Music --
Nineteenth-Century Violin Pedagogy ; Teaching as a science --
Instructional Works --
Otakar Ševčík, or The Perfect Method --
The Violinist's Physical and Mental Health ; Twentieth-century problems --
Fritz Kreisler and Modern Violin Playing ; Vibrato --
Fingering --
Violin Music since 1900 --
Violin Pedagogy since 1900 --
Great Twentieth-Century Violinists : Virtuosi --
Great Twentieth-Century Violinists : Virtuose --
String Quartets --
Into the Twenty-first Century.
Other Titles: Buch der Violine.
Responsibility: Walter Kolneder ; translated and edited by Reinhard G. Pauly.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/37909888>
bgn:translationOfWork
library:oclcnum"37909888"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1167443>
rdf:typeschema:Intangible
schema:name"Violon, Musique de--Histoire et critique."@en
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:copyrightYear"1998"
schema:creator
schema:datePublished"1998"
schema:description"Part three : Performance, pedagogy, and composition -- Violin Playing and Teaching in the Sixteenth Century -- Early Seventeenth-Century Developments -- Monteverdi and the Violin -- Biagio Marini -- Forms of Seventeenth-Century Violin Music -- Farina and Virtuoso Playing -- Standardization of the Orchestra ; Categories and formal design in orchestral music -- Chamber Music and Orchestral Music before Corelli -- Germany and Austria in the Seventeenth Century -- France and England in the Seventeenth Century -- Corelli and Violin Music at the End of the Seventeenth Century -- Seventeenth-Century Violin Instruction Books -- Torelli and the Beginnings of the Solo Concerto -- Antonio Vivaldi and the Solo Concerto -- The Origin of the Solo Cadenza -- Italian Violin Playing after Vivaldi ; Geminiani, Somis, Veracim, Locatelli -- Johann Sebastian Bach's Compositions for Violin -- The "Bach" Bow -- Instruction Books from the First Half of the Eighteenth Century -- Mid-Century Style Changes ; Johann Stamitz ; Giuseppe Tartini -- The Classic Solo Concerto -- Mozart's Compositions for Violin -- The Origins of the String Quartet ' Quartets by Haydn and Mozart -- Orchestra Playing in the Eighteenth Century ; The classical symphony -- Instruction Books, 1750-1800 -- The Etude's Origin -- The Development of Violin Playing in the Principal Countries of Europe during the Eighteenth Century -- The Founding of the Paris Conservatoire ; The beginnings of modern music education -- Beethoven's Compositions for Violin -- Traveling Virtuosos -- Nicole Paganini -- Nineteenth-Century Violin Playing -- Nineteenth-Century Violin Music -- Nineteenth-Century Violin Pedagogy ; Teaching as a science -- Instructional Works -- Otakar Ševčík, or The Perfect Method -- The Violinist's Physical and Mental Health ; Twentieth-century problems -- Fritz Kreisler and Modern Violin Playing ; Vibrato -- Fingering -- Violin Music since 1900 -- Violin Pedagogy since 1900 -- Great Twentieth-Century Violinists : Virtuosi -- Great Twentieth-Century Violinists : Virtuose -- String Quartets -- Into the Twenty-first Century."@en
schema:description"Part one : The instrument -- Tone production -- Violin making : the wood -- Bow making -- Manual work and machines -- String making -- Violin maintenance : repair -- Part two : The history of the violin -- The prehistory -- String instruments in thirteenth- and fourteenth-century Europe -- The violin's early history -- Musical developments in the fifteenth century -- Viola da gamba and viola da bracchio -- The origin of the violin -- The violin in the early sixteenth century -- The rise of the Amati family ; Cremona becomes the center of violin making -- Gasparo da Salò and the early Brescia school -- Violin making in the seventeenth century ; the Cremona school from Nicolò III Aamati to Antonio Stradivari -- Violin making in seventeenth-century Brescia -- Italian seventeenth-century violin makers outside Brescia and Cremona -- National schools in Europe before 1700 ; Jacob Stainer -- Italian violin making in the eighteenth century ; Antonius Stradivarius and Josephus Guarnerius del Gesù -- The decline of Italian violin making during the second half of the eighteenth century -- The "secret" of the old Italian luthiers -- The old Italian varnish -- Eighteenth-century violin making outside Italy -- The industrialization of violin making -- Violin collectors and dealers -- Violin making and the development of the natural sciences -- Violin making since 1800 -- Violin making as a hobby -- The history and making of violin bows -- List of bow makers -- Summary and projections."@en
schema:exampleOfWork
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The Amadeus book of the violin : construction, history, and music"@en
schema:publication
schema:publisher
schema:workExample
wdrs:describedby

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.