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| 附加的形体格式： | Online version: Kolneder, Walter. Amadeus book of the violin. Portland, Or. : Amadeus Press, c1998 (OCoLC)639578199 |
|---|---|
| 文件类型： | 书 |
| 所有的著者/提供者： |
Walter Kolneder; Reinhard G Pauly |
| ISBN: | 1574670387 9781574670387 |
| OCLC号码： | 37909888 |
| 描述： | 597 p. : ill. ; 24 cm. |
| 内容： | Tone production -- Violin making : the wood -- Bow making -- Manual work and machines -- String making -- Violin maintenance : repair -- The prehistory -- String instruments in thirteenth- and fourteenth-century Europe -- The violin's early history -- Musical developments in the fifteenth century -- Viola da gamba and viola da bracchio -- The origin of the violin -- The violin in the early sixteenth century -- The rise of the Amati family : Cremona becomes the center of violin making -- Gasparo da Salò and the early Brescia school -- Violin making in the seventeenth century : the Cremona school from Nicolò III Aamati to Antonio Stradivari -- Violin making in seventeenth-century Brescia -- Italian seventeenth-century violin makers outside Brescia and Cremona -- National schools in Europe before 1700 : Jacob Stainer -- Italian violin making in the eighteenth century : Antonius Stradivarius and Josephus Guarnerius del Gesù -- The decline of Italian violin making during the second half of the eighteenth century -- The "secret" of the old Italian luthiers -- The old Italian varnish. |
| 其他题名： | Buch der Violine. |
| 责任： | Walter Kolneder ; translated and edited by Reinhard G. Pauly. |
摘要：
Includes bibliographical references and index. First published in 1972, Walter Kolneder's Das Buch der Violine quickly established itself as the standard work on the violin, dealing with every aspect of the instrument in truly encyclopedic fashion. This first English-language translation, by eminent scholar and educator Reinhard G. Pauly, is based on the fifth German edition, published in 1993. Ours is more than a translation, however. Dr. Pauly also took the opportunity to revise the text, for American and English readers particularly, and has included information on recent developments not available to the author. The book begins with an examination of the violin's construction and history. Part One offers fascinating detail on woods, glues, varnishes, shapes and dimensions, and bows and strings; Part Two traces the evolution of the instrument's form, from the violin's pre-history through the five centuries, roughly, that have elapsed since it took its present shape. Part Three is a chronological survey of the violin's musical aspects, treating performance techniques, pedagogical philosophy, and literature for the violin. Kolneder examines the various national schools for their distinguishing characteristics and shows the influence of composers (Bach and Beethoven, among others), virtuosos (Paganini, Kreisler), and teachers (including Tartini and Geminiani) upon the development of the modern violin and its music. Together the three parts form the best single volume on the violin and its music, an extraordinary encyclopedic resource for the general music-lover as well as for violinists.
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