跳到内容
The American avant-garde tradition : William Carlos Williams, postmodern poetry, and the politics of cultural memory 预览资料
关闭预览资料
正在查...

The American avant-garde tradition : William Carlos Williams, postmodern poetry, and the politics of cultural memory

著者: John Lowney
出版商: Lewisburg, Pa. : Bucknell university Press ; London ; Cranbury, NJ : Associated University Presses, ©1997.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the
评估:

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

附加的形体格式: Online version:
Lowney, John, 1957-
American avant-garde tradition.
Lewisburg, Pa. : Bucknell university Press ; London ; Cranbury, NJ : Associated University Presses, c1997
(OCoLC)631645332
提及的人: William Carlos Williams; William Carlos Williams
文件类型:
所有的著者/提供者: John Lowney
ISBN: 0838753337 9780838753330
OCLC号码: 34319422
描述: 175 p. ; 24 cm.
内容: Introduction: canon formation, avant-gardism, and William Carlos Williams's literary reputation --
"A plot of ground": Williams's poetics of descent --
"To witness the words being born": Williams's poetics of dissent --
"Pure products": imitation, affiliation, and the politics of female creativity in Denise Levertov's poetry --
"Going to sleep with quandariness": the "post-anti-esthetic" poetics of Frank O'Hara --
"Words we have learned not to look at": George Oppen and Cold-War American culture.
责任: John Lowney.

摘要:

This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the cultural politics of constructing literary reputations, but also a more fundamental assumption that governs canon formation, the assumption that "poetic language" excludes speech types marking social difference.

Williams's commitment to experimentation and the destruction of traditional forms allies his poetics with the critical stance of the international avant-garde. His writing is especially sensitive, however, to linguistic registers of social difference in the United States. Focusing especially on Williams's early experimentation with poetic form, through Spring and All, but also on his critical and imaginative prose, such as In the American Grain, this book argues that two contingent rhetorical motives structure his response to cultural change: what Lowney calls the "poetics of descent" and the "poetics of dissent."

评论

用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

争取是第一个!
确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/34319422>
library:oclcnum"34319422"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/34319422>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Williams, William Carlos, 1883-1963"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:copyrightYear"1997"
schema:datePublished"1997"
schema:description"Introduction: canon formation, avant-gardism, and William Carlos Williams's literary reputation -- "A plot of ground": Williams's poetics of descent -- "To witness the words being born": Williams's poetics of dissent -- "Pure products": imitation, affiliation, and the politics of female creativity in Denise Levertov's poetry -- "Going to sleep with quandariness": the "post-anti-esthetic" poetics of Frank O'Hara -- "Words we have learned not to look at": George Oppen and Cold-War American culture."
schema:description"This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the cultural politics of constructing literary reputations, but also a more fundamental assumption that governs canon formation, the assumption that "poetic language" excludes speech types marking social difference."
schema:exampleOfWork<http://worldcat.org/entity/work/id/20773226>
schema:genre"Criticism, interpretation, etc."
schema:genre"History"
schema:inLanguage"en"
schema:name"The American avant-garde tradition : William Carlos Williams, postmodern poetry, and the politics of cultural memory"
schema:numberOfPages"175"
schema:publisher
rdf:typeschema:Organization
schema:name"Bucknell university Press"
schema:publisher
rdf:typeschema:Organization
schema:name"Associated University Presses"
schema:workExample
schema:workExample

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.