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An American lens : scenes from Alfred Stieglitz's New York Secession

著者: Jay Bochner
出版: Cambridge, Mass. : MIT Press, ©2005.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz - as influential gallery owner, photographer, and impresario of the emerging art scene - at a series of significant moments in his career. These close-ups offer a more intense and expanded  続きを読む
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その他のフォーマット: Online version:
Bochner, Jay, 1940-
American lens.
Cambridge, Mass. : MIT Press, c2005
(OCoLC)607739906
関連の人物: Alfred Stieglitz; Alfred Stieglitz; Alfred Stieglitz
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Jay Bochner
ISBN: 0262025809 9780262025805
OCLC No.: 58451649
物理形態: xvi, 371 p. : ill. ; 24 cm.
コンテンツ: The coming storm of modernism (1893) --
Conservation frames --
Before the Armory (1913) --
Outside the Armory (1912-1913) --
Mechanics of the New York secession (1915) --
Days in April, sweet and cruel (1917) --
The serial portrait (1917-1935) --
Down from the clouds (1929-1935) --
Conclusion: the secession's unyielding father.
責任者: Jay Bochner.

概要:

A close reading of photography yields a groundbreaking cultural biography; reveals photography's impresario, Alfred Stieglitz, as he has never been revealed before and looks at his photographs as  続きを読む

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"I'm sure Bochner is a fine scholar and critic, but he also has that indispensable talent of storytellers: he gets us interested in what fascinates him through what he chooses to describe and 続きを読む

 
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schema:reviewBody""In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz - as influential gallery owner, photographer, and impresario of the emerging art scene - at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view." "Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate - casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in An American Lens create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind."--BOOK JACKET."
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