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American paintings and works on paper in the Barnes Foundation

作者: Richard J Wattenmaker; Barnes Foundation.
出版商: Merion, Pa. : Barnes Foundation ; New Haven : in association with Yale University Press, 2010.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
This catalogue is the first publication of the Barnes Foundation's collection of over three hundred American works of art, including a treasury of important early-twentieth-century paintings by William J. Glackens, Maurice and Charles Prendergast, Charles Demuth, Alfred H. Maurer, Ernest Lawson, Horace Pippin, Marsden Hartley, Jules Pascin, and many others. Rich with compelling, firsthand accounts of the collector's
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類型/形式: Catalogs
其他的實體格式: Online version:
Barnes Foundation.
American paintings and works on paper in the Barnes Foundation.
Merion, Pa. : Barnes Foundation ; New Haven : In association with Yale University Press, 2010
(OCoLC)742307548
提及的人: William J Glackens; Alfred Henry Maurer; Maurice Prendergast; Charles Prendergast; Ernest Lawson; Jules Pascin; Marsden Hartley; Charles Demuth; Horace Pippin
文件類型: 圖書
所有的作者/貢獻者: Richard J Wattenmaker; Barnes Foundation.
ISBN: 9780300158779 0300158777
OCLC系統控制編碼: 449854781
描述: xxi, 381 pages : illustrations (chiefly color) ; 30 cm
内容: Director's foreword / Derek Gillman --
Introduction --
Albert C. Barnes and The Barnes Foundation --
CATALOGUE --
William J. Glackens: Works --
Alfred H. Maurer: Works --
Maurice B. Prendergast: Works --
Charles Prendergast: Works --
Ernest Lawson: Works --
Jules Pascin: Works --
Marsden Hartley: Works --
Charles Demuth: Works --
Horace Pippin: Works --
Additional Works by American Artists.
責任: Richard J. Wattenmaker.

摘要:

The Barnes Foundation is renowned for its collection of Impressionist, Post-Impressionist, and Early Modern paintings. Featuring 400 color illustrations, this catalogue explores this collection of  再讀一些...

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"Wattenmaker's experience at the Barnes is evident on every page of his illuminating book about the American paintings and works on paper collected by Dr. Albert Barnes."--Lita Solis-Cohen, "Maine 再讀一些...

 
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schema:description"This catalogue is the first publication of the Barnes Foundation's collection of over three hundred American works of art, including a treasury of important early-twentieth-century paintings by William J. Glackens, Maurice and Charles Prendergast, Charles Demuth, Alfred H. Maurer, Ernest Lawson, Horace Pippin, Marsden Hartley, Jules Pascin, and many others. Rich with compelling, firsthand accounts of the collector's methods and purpose, this definitive scholarly examination of the American paintings and works on paper assembled by Dr. Albert C. Barnes offers a long overdue exploration of his exceptional achievement."
schema:description"This volume begins with a study of the development of the Foundation's educational programs and Barnes's thirty-five-year collaboration with philosopher and educator John Dewey. In addition to analyzing Barnes's role as a collector of Modern art and his relationships with American artists, the book features essays devoted to the nine principal Americans whose works Barnes collected, along with complete catalogue entries for all 343 works by American artists presently in the Barnes Foundation. It decisively documents an important chapter in the history of collecting and art education in America during the first half of the twentieth century. --Book Jacket."
schema:description"The Barnes Foundation is recognized for its unique collection of Impressionist, Post-Impressionist, and early Modern paintings. It is less known, however, that the Foundation was established in 1922 as an eductional experiment devoted to the study and appreciation of art from many countries and cultures. In direct pursuit of this pedagogical mission, Barnes acquired high-caliber works of art--including outstanding examples of African, Asian, Native American, and Ancient art, Early American furniture and ceramics, and American and European ironwork. Incorporating extensive documentation from the Foundation's archives, Richard J. Wattenmaker situates the Foundation's American holdings within this institutional context while illuminating Barnes's personal dealings with many of the works' creators."
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