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American photography, 1890-1965, from the Museum of Modern Art, New York

著者: Peter Galassi; Museum of Modern Art (New York, N.Y.)
出版社: New York, N.Y. : The Museum : Distributed by H.N. Abrams, 1995.
エディション/フォーマット:   紙書籍 : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"American photography from the turn of the century through the mid-1960s offers one of the richest and most coherent traditions in the history of the medium. This book explores that tradition in depth through superb reproductions of 183 photographs from the outstanding collection of The Museum of Modern Art." "Toward the end of the nineteenth century photographs became radically easier to make and to reproduce. The  続きを読む
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詳細

ジャンル/形式: Exhibition catalogs
History
Exhibitions
資料の種類: Biography
ドキュメントの種類 書籍
すべての著者/寄与者: Peter Galassi; Museum of Modern Art (New York, N.Y.)
ISBN: 0810961431 9780810961432 0870701401 9780870701405 087070141X 9780870701412
OCLC No.: 33407649
メモ: "Published on the occasion of the exhibition ... organized under the auspices of the International Council of the Museum of Modern Art ..."--Title page verso.
物理形態: 256 pages : illustrations (some color) ; 30 cm
責任者: Peter Galassi ; with an essay by Luc Sante.

概要:

"American photography from the turn of the century through the mid-1960s offers one of the richest and most coherent traditions in the history of the medium. This book explores that tradition in depth through superb reproductions of 183 photographs from the outstanding collection of The Museum of Modern Art." "Toward the end of the nineteenth century photographs became radically easier to make and to reproduce. The result was a vast new range of audiences and applications for photography. From untutored snap-shooter to specialized professional, the swelling ranks of photographers produced a sprawling diversity of new pictures, which recorded and helped to create modern America. At the same time, there arose an elite movement that withdrew from the undisciplined bustle of the modern world and claimed for photography a position among the fine arts." "The first part of the introductory essay concisely outlines the evolution and interplay of photography's high-art and vernacular traditions. The second part traces the growth of the pioneering photography program at The Museum of Modern Art in which Ansel Adams, Edward Steichen, and other leading American photographers played decisive roles." "Luc Sante's essay, "A Nation of Pictures," places photography at the center of a lively reconsideration of modern American culture, which touches on music, the movies, the magazines, and a great deal more." "A splendid gallery of photographs follows the essays. American photography from Jacob Riis and Alfred Stieglitz to Richard Avedon and Diane Arbus is set forth through a carefully ordered sequence, in which groups of pictures conceived as works of fine art alternate with groups of pictures that served a myriad of worldly functions. Major figures, such as Paul Strand, Edward Weston, Walker Evans, Dorothea Lange, Harry Callahan, and Robert Frank, are each represented by six or more photographs. Dozens of other distinguished photographers are included as well, and many remarkable but unfamiliar pictures join the landmark works."--BOOK JACKET.

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