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American photography and the American dream

著者: James Guimond
出版商: Chapel Hill : University of North Carolina Press, ©1991.
丛书: Cultural studies of the United States.
版本/格式:   图书 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
提要:
"Examines the most important photographers and developments in the documentary genre during this century. It encompasses the reform-era images of Francis Benjamin Johnston and Lewis Hine; the work of Farm Security Administration (FSA) photographers like Walker Evans and Dorothea Lange during both the 1930s and 1940s after the FSA photography unit broke up; the American-Way-of-Life pictures published by Life, Look,  再读一些...
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详细书目

附加的形体格式: Online version:
Guimond, James.
American photography and the American dream.
Chapel Hill : University of North Carolina Press, c1991
(OCoLC)755256727
材料类型: 政府刊物, 州政府或者省政府刊物
文件类型:
所有的著者/提供者: James Guimond
ISBN: 0807819468 9780807819463 0807843083 9780807843086
OCLC号码: 22422452
描述: ix, 341 p. : ill. ; 26 cm.
内容: Dreams and documents --
Frances Johnston's "Hampton album" : a white dream for black people --
Lewis Hine and American industrialism --
The signs of hard times --
The American way of life at home and abroad --
The American wasteland --
After the fall.
丛书名: Cultural studies of the United States.
责任: James Guimond.

摘要:

"Examines the most important photographers and developments in the documentary genre during this century. It encompasses the reform-era images of Francis Benjamin Johnston and Lewis Hine; the work of Farm Security Administration (FSA) photographers like Walker Evans and Dorothea Lange during both the 1930s and 1940s after the FSA photography unit broke up; the American-Way-of-Life pictures published by Life, Look, and the United States Information Agency during the 1940s and 1950s; the iconoclastic images of William Klein, Diane Arbus, and Robert Frank; and the work of four photographers of the 1970s and 1980s: Bill Owens, Chauncey Hare, Susan Meiselas, and Michael Williamson. Guimond pays close attention to the specific historical circumstances in which the pictures were made, to the roles the photographers played in making their images, to their intentions, stated and unstated, and to the original contexts in which the images were published or exhibited. These images, he shows, are not merely pictures on museum walls but revelations that can help us understand how we as Americans have seen ourselves, one another, and the world around us."--Back cover.

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