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American stories : paintings of everyday life, 1765-1915

作者: H Barbara Weinberg; Carrie Rebora Barratt; Metropolitan Museum of Art (New York, N.Y.); Los Angeles County Museum of Art.; et al
出版商: New York : Metropolitan Museum of Art ; New Haven : Yale University Press, ©2009.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Presents nearly two hundred extraordinary pictures that tell stories of ordinary people engaged in commonplace tasks and pleasures. The first overview of the subject in thirty-five years, this richly illustrated volume features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, John Sloan, and  再讀一些...
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類型/形式: Exhibitions
In art Exhibitions
其他的實體格式: Online version:
American stories.
New York : Metropolitan Museum of Art ; New Haven : Yale University Press, c2009
(OCoLC)664768500
文件類型: 圖書
所有的作者/貢獻者: H Barbara Weinberg; Carrie Rebora Barratt; Metropolitan Museum of Art (New York, N.Y.); Los Angeles County Museum of Art.; et al
ISBN: 9781588393364 ) 1588393364 (Metropolitan Museum of Art (hc)) 9781588393371 (Metropolitan Museum of Art (pbk.)) 1588393372 (Metropolitan Museum of Art (pbk.)) 9780300155082 (Yale University Press (hc)) 0300155085 (Yale University Press (hc)
OCLC系統控制編碼: 326626424
注意: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Oct. 12, 2009-Jan. 24, 2010, and at the Los Angeles County Museum of Art, Feb. 28-May 23, 2010.
描述: xviii, 222 p. : ill. (chiefly col.) ; 32 cm.
内容: Inventing American stories, 1765-1830 / Carrie Rebora Barratt --
Stories for the public, 1830-1860 / Bruce Robertson --
Stories of war and reconciliation, 1860-1877 / Margaret C. Conrads --
Cosmopolitan and candid stories, 1877-1915 / H. Barbara Weinberg.
其他題名: Paintings of everyday life, 1765-1915
責任: edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt ... [et al.].

摘要:

Focusing on some of the leading artists, from John Singleton Copley to John Sloan, this book addresses narrative content in colonial and early national portraits; genre scenes of the Jacksonian  再讀一些...

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schema:description"Presents nearly two hundred extraordinary pictures that tell stories of ordinary people engaged in commonplace tasks and pleasures. The first overview of the subject in thirty-five years, this richly illustrated volume features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, John Sloan, and George Bellows, as well as notable examples by some of their key colleagues. These artists captured the temperament of their respective eras, describing and defining in their best works the character of Americans as individuals, citizens, and members of ever-widening communities from the decade before the Revolution to the eve of World War I. The authors--all distinguished curators and scholars--look at how painters told stories through their selections of settings, players, action, and various narrative devices. They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand. From 1860 to 1877, artists like Eastman Johnson, Homer, and Eakins responded to the Civil War and, going forward, encoded Reconstruction and the Centennial in pictures designed to help heal the nation's spirit. After the Centennial, Homer and Eakins--joined by colleagues who included William Merritt Chase, Sargent, Cassatt, Sloan, and Bellows--explored new subjects and narrative modes in the increasingly cosmopolitan age leading up to World War I. The result is a visually compelling account of the stories American artists chose to tell, how they told them, and how those stories have been read by observers over time."@en
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