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The American Stravinsky : the style and aesthetics of Copland's new American music, the early works, 1921-1938

作者: Gayle Minetta Murchison
出版商: Ann Arbor : The University of Michigan Press, [2012] ©2012
版本/格式:   Print book : 傳記 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
One of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive role in the growth of serious music in the Americas in the twentieth century. In The American Stravinsky, Gayle Murchison  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
提及的人: Aaron Copland; Igor Stravinsky; Aaron Copland; Igor Stravinsky; Aaron Copland
資料類型: 傳記
文件類型: 圖書
所有的作者/貢獻者: Gayle Minetta Murchison
ISBN: 9780472099849 0472099841 9780472069842 0472069845
OCLC系統控制編碼: 779272883
描述: xviii, 285 pages : illustrations, music ; 24 cm
内容: Scherzo humoristique (Cat and mouse) : Copland's American Petrushka and his debt to Stravinsky --
Boulanger and compositional maturity --
Popular music and jazz : authentic or Ersatz? --
Paris and jazz : French neoclassicism and the new modern American music --
Back in the United States : popular music, jazz, and the new American music --
European influence beyond Stravinsky and les Six : Hába and Schoenberg --
Toward a new national music during the 1930s : Copland's populism, accessible style, and folk and popular music --
Copland's journey left --
"Folk" music and the popular front : El salón México --
Billy the Kid --
A vision for American music...
責任: Gayle Murchison.
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摘要:

One of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive role in the growth of serious music in the Americas in the twentieth century. In The American Stravinsky, Gayle Murchison closely analyzes selected works to discern the specific compositional techniques Copland used, and to understand the degree to which they derived from European models, particularly the influence of Igor Stravinsky. Murchison examines how Copland both Americanized these models and made them his own, thereby finding his own compositional voice. Murchison also discusses Copland's aesthetics of music and his ideas about its purpose and social function. -- book cover.

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