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Analyzing Bach cantatas

作者: Eric Thomas Chafe
出版商: New York : Oxford University Press, 2000.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of  再讀一些...
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提及的人: Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach; Johann Sebastian Bach
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Eric Thomas Chafe
ISBN: 019512099X 9780195120998 0195161823 9780195161823
OCLC系統控制編碼: 38580245
描述: xvii, 286 p. : ill. ; 24 cm.
内容: The Hermeneutic matrix. Basic principles ; Aspects of the liturgical year --
The Lutheran "metaphysical" tradition in music and music theory --
Cantata 21, "Ich hatte viel bekummernis". Commentary on the individual movements --
Modal questions. The seventeenth-century background ; Bach and Modal tradition ; "Durch Adams fall" : Andreas Werckmeister on the Hypophrygian mode --
Bach's reflections on the past : Modal chorales in cantata designs. "Durch Adams fall ist ganz verderbt" in cantatas 18 and 109 ; "Ach Gott, vom himmel sieh' darein" in cantatas 153 and 2 ; "O grosser Gott von macht" in cantata 24 --
Two chorale cantatas. Cantata 121 : "Christum wir sollenloben schon" ; "Es ist das heil uns kommen hier" (cantanta 9) --
Cantata 77 : the theological background. "Dies sind die heil'gen zehn gebot" : The chorale and its history ; The text of cantata 77 --
"Du sollt Gott, deinen herren, lieben" : An analysis of cantata 77. Commentary on the individual movements --
Cantata 60 : "O ewigkeit, du donnerwort".
責任: Eric Chafe.
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摘要:

Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe illustrates how Bach strove to mirror both  再讀一些...

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"...Chafe has worked to push Bach studies beyond formalist analysis and to demonstrate how the composer represented Lutheran theology by means of musical language and structures...Perhap's Chafe most 再讀一些...

 
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