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Criticism, interpretation, etc
|Additional Physical Format:||Print version:
Analyzing digital fiction.
|Material Type:||Document, Internet resource|
|Document Type:||Internet Resource, Computer File|
|All Authors / Contributors:||
Alice Bell; Hans Kristian Rustad
|ISBN:||9781135136031 1135136033 9780203078112 020307811X 1306218039 9781306218030 9781135136048 1135136041|
|Description:||1 online resource (ix, 213 pages) : illustrations.|
|Contents:||Cover; Original Title; Title; Copyright; Contents; List of Figures; Acknowledgments; Introduction; 1 From Theorizing to Analyzing Digital Fiction; SECTION I Narratological Approaches; 2 Media-Specific Metalepsis in 10:01; 3 Digital Fiction and Worlds of Perspective; 4. Seeing into the Worlds of Digital Fiction; SECTION II Social Media and Ludological Approaches; 5 Playing with Rather than by the Rules: Metaludicity, Allusive Fallacy, and Illusory Agency in The Path; 6 140 Characters in Search of a Story: Twitterfiction as an Emerging Narrative Form. 7 Amnesia: The Dark Descent: The Player's Very Own Purgatory8 Wreading Together: The Double Plot of Collaborative Digital Fiction; SECTION III Semiotic-Rhetorical Approaches; 9 (In- )between Word, Image, and Sound: Cultural Encounter in Pullinger and Joseph's Flight Paths; 10 Figures of Gestural Manipulation in Digital Fictions; 11 Hyperfiction as a Medium for Drifting Times: A Close Reading of the German Hyperfiction Zeit für die Bombe; Afterword; 12 Reading Digital Fiction: From Hypertext to Timeline; Contributors; Index.|
|Series Title:||Routledge studies in rhetoric and stylistics, 5.|
|Responsibility:||edited by Alice Bell, Astrid Ensslin and Hans Kristian Rustad.|
"Analyzing Digital Fiction makes a useful contribution to the field of literary studies by taking digital fiction itself as seriously as the cultural meaning of texts produced in digital form.