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Andreas Eriksson : [Nordiska Paviljongen = Nordic Pavilion].

Author: Andreas Eriksson
Publisher: Berlin : Moderna Museet : Sternberg Press, 2011.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Andreas Eriksson employs a variety of techniques and media, including painting, sculpture, photography, installation art and, more recently, film. He works conceptually, but with a finely-tuned visual sensibility. In recent years, his work has been intimately linked to the place where it is created, the rural terrain outside his studio in Västmanland. In the late 1990s, Andreas Eriksson was living and working in  Read more...
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Genre/Form: Ausstellung
Exhibition catalogs
Exhibitions
Named Person: Andreas Eriksson; Andreas Eriksson; Andreas Eriksson; Andreas Eriksson
Document Type: Book
All Authors / Contributors: Andreas Eriksson
ISBN: 9781934105573 9789186243241 9186243241 1934105570
OCLC Number: 751045102
Notes: Moderna museet (Stockholm, Sweden).
54th International Art Exhibition, Biennale di Venezia, Venedig/Venice.
Description: 174 pages : illustrations ; 29 cm
Contents: I paviljongen = In the pavilion / Magnus af Petersens --
Intervju med Andreas Eriksson = Interview with Andeas Eriksson / Daniel Birnbaum and Hans Ulrich Obrist --
Andreas Eriksson / Jennifer Higgie.
Other Titles: Nordiska Paviljongen
Nordic Pavilion

Abstract:

Andreas Eriksson employs a variety of techniques and media, including painting, sculpture, photography, installation art and, more recently, film. He works conceptually, but with a finely-tuned visual sensibility. In recent years, his work has been intimately linked to the place where it is created, the rural terrain outside his studio in Västmanland. In the late 1990s, Andreas Eriksson was living and working in Berlin, caught up in an intense phase of his burgeoning international career, with numerous major exhibitions, when he began to suffer from electromagnetic hypersensitivity. He was forced to move far away from the city, from densely populated areas, and the electromagnetic fields of urban life. Andreas Eriksson's art has always been strongly associated with the context in which it is produced, his life and surroundings. In consequence, these radical changes in his existence are also reflected in his work.

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