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Angela Carter : a literary life

ผู้แต่ง: Sarah Gamble
สำนักพิมพ์: Houndmills, Basingstoke, Hampshire ; New York, N.Y. : Palgrave Macmillan, 2005.
ชุด: Literary lives (Palgrave Macmillan (Firm))
ครั้งที่พิมพ์/รูปแบบ:   book_printbook : บรรณานุกรม : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"Angela Carter's life was an eventful and vagrant one, including travels to Japan, Russia, American and Australia, and early success in the 1960s that did not last into the 1970s. But by the time of her tragically early death in 1992, Carter had become recognised as one of the most successful and original British literary figures of the twentieth century and she has subsequently become one of the most studied  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Biography
ชื่อบุคคล: Angela Carter; Angela Carter
ขนิดวัสดุ: บรรณานุกรม, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Sarah Gamble
ISBN: 0333992938 9780333992937
OCLC Number: 60550480
คำอธิบาย: viii, 239 pages ; 23 cm.
สารบัญ: Introduction: Is she fact, or is she fiction? --
Alienated is the only way to be --
I'm a sucker for the worker hero --
What were the sixties really like? --
A quite different reality --
My now stranger's eye --
You write from your own history --
Conclusion: posthumous fame is no comfort at all.
ชื่อชุด: Literary lives (Palgrave Macmillan (Firm))
ความรับผิดชอบ: Sarah Gamble.
ข้อมูลเพิ่มเติม

บทคัดย่อ:

"Angela Carter's life was an eventful and vagrant one, including travels to Japan, Russia, American and Australia, and early success in the 1960s that did not last into the 1970s. But by the time of her tragically early death in 1992, Carter had become recognised as one of the most successful and original British literary figures of the twentieth century and she has subsequently become one of the most studied authors in British universities. This book disentangles the cult of Angela Carter as 'the fairy godmother of magical realism' from her own claims to be a materialist and 'demythologiser' by placing her within the social, political and cultural context within which she worked. Drawing on Carter's own autobiographical articles, as well as her fiction, journalism, radio plays and TV programmes, this study examines Carter's engagement with national (particularly English) identity, class, politics and feminism, assessing the relationship between her life, her times and her art."--Jacket.

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