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Anish Kapoor

Author: Anish Kapoor; Homi K Bhabha; Jean de Loisy; Norman Rosenthal; Royal Academy of Arts (Great Britain)
Publisher: London : Royal Academy of Arts, 2009.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"This illustrated book traces Kapoor's artistic development during a career spanning more than thirty years. Incisive new texts by eminent observers explore the philosophical issues pertinent to the artist's work, and an illustrated chronology and an anthology of previously published texts complete this examination of Kapoor's place in the history of modern sculpture and in the context of contemporary  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Additional Physical Format: Online version:
Kapoor, Anish, 1954-
Anish Kapoor.
London : Royal Academy of Arts, 2009
(OCoLC)691129040
Named Person: Anish Kapoor; Anish Kapoor; Anish Kapoor
Document Type: Book
All Authors / Contributors: Anish Kapoor; Homi K Bhabha; Jean de Loisy; Norman Rosenthal; Royal Academy of Arts (Great Britain)
ISBN: 9781905711505 1905711506
OCLC Number: 317927162
Notes: "First published on the occasion of the exhibition Anish Kapoor, Royal Academy of Arts, London, 26 September-11 December 2009"--Title page verso.
Four posters in back pocket.
Description: 189 pages : color illustrations ; 34 cm
Contents: President's foreword --
Supporters of the exhibition --
Elusive objects: Anish Kapoor's fissionary art / Homi K. Bhabha --
Le vrai cul du diable / Jean De Loisy --
Svayambh / Norman Rosenthal --
Plates --
Anthology --
Chronology.
Responsibility: [essays by Homi K. Bhabha, Jean de Loisy, Norman Rosenthal].

Abstract:

"This illustrated book traces Kapoor's artistic development during a career spanning more than thirty years. Incisive new texts by eminent observers explore the philosophical issues pertinent to the artist's work, and an illustrated chronology and an anthology of previously published texts complete this examination of Kapoor's place in the history of modern sculpture and in the context of contemporary practice."--Jacket.

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